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dc.contributor.authorBRUSA, SOFIA ESTER
dc.date.accessioned2025-11-22T12:46:12Z
dc.date.available2025-11-22T12:46:12Z
dc.date.issued2024
dc.date.submitted2025-08-01T15:42:01Z
dc.identifierONIX_20250801T173835_9791221506020_12
dc.identifier2975-0229
dc.identifierhttps://library.oapen.org/handle/20.500.12657/104562
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/203673
dc.description.abstractThe paper analyses a brief passage from the dialogue De lite inter Naturam et Fortunam by Albertino Mussato, in which two animal similes are employed. The sources of these similes are identified, revealing a combination of literary and poetic passages as well as of scientific treatises. Among the latter, Aristotle’s De historia animalium in the rare translation by William of Moerbeke stands out, whose circulation in early 14th-century Padua is discussed. Finally, the author reflects on Mussato’s use of elements drawn from the animal world, highlighting both the continuity and innovations compared to medieval practices.
dc.languageItalian
dc.relation.ispartofseriesStudi di letterature moderne e comparate
dc.rightsopen access
dc.subject.otherAlbertino Mussato
dc.subject.otherAristotle
dc.subject.otherWilliam of Moerbeke
dc.subject.otheranimals
dc.subject.otherPadua
dc.titleChapter Le similitudini animali nel De lite inter Naturam et Fortunam di Albertino Mussato
dc.typechapter
oapen.identifier.doi10.36253/979-12-215-0602-0.10
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9791221506020
oapen.imprintFirenze University Press, USiena Press
oapen.pages12
oapen.place.publicationFlorence
dc.seriesnumber8
dc.abstractotherlanguageThe paper analyses a brief passage from the dialogue De lite inter Naturam et Fortunam by Albertino Mussato, in which two animal similes are employed. The sources of these similes are identified, revealing a combination of literary and poetic passages as well as of scientific treatises. Among the latter, Aristotle’s De historia animalium in the rare translation by William of Moerbeke stands out, whose circulation in early 14th-century Padua is discussed. Finally, the author reflects on Mussato’s use of elements drawn from the animal world, highlighting both the continuity and innovations compared to medieval practices.


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