Show simple item record

dc.contributor.authorVenditti, Michela
dc.date.accessioned2025-11-23T01:25:26Z
dc.date.available2025-11-23T01:25:26Z
dc.date.issued2024
dc.date.submitted2025-08-01T15:47:59Z
dc.identifierONIX_20250801T173835_9791221505856_120
dc.identifier2612-7679
dc.identifierhttps://library.oapen.org/handle/20.500.12657/104670
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/203993
dc.description.abstractDerzhavin and the Aesopian Tradition in the Eighteenth Century. The literary tradition of the fable genre emerged and developed in the 18th century, starting from A. Kantemir, through the formal experiments of Trediakovskij and Lomonosov, Sumarokov’s “sklonenie na russkie nravy”, and the subsequent original elaboration by undisputed Russian representative I. Krylov. The article examines G. R. Derzhavin’s fable production in the context of the genre’s reception in 18th-century Russia. Derzhavin’s fables were published posthumously and have been little studied to this day. Overall, the poet composed 24 fables, 4 of which are based on the elaboration of Aesopian subjects. The latter are specific subjects of analysis through their comparison with previous literary versions. The work demonstrates how Derzhavin’ Aesopian fables versions are original and interesting as echoes of his creative evolution.
dc.languageRussian
dc.relation.ispartofseriesBiblioteca di Studi Slavistici
dc.rightsopen access
dc.subject.otherDerzhavin
dc.subject.otherfables
dc.subject.otherAesop
dc.subject.otherSumarokov
dc.subject.otherKrylov
dc.subject.otherLa Fontaine
dc.titleChapter Державин и эзоповская традиция в XVIII веке
dc.typechapter
oapen.identifier.doi10.36253/979-12-215-0585-6.31
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9791221505856
oapen.pages11
oapen.place.publicationFlorence
dc.seriesnumber59
dc.abstractotherlanguageDerzhavin and the Aesopian Tradition in the Eighteenth Century. The literary tradition of the fable genre emerged and developed in the 18th century, starting from A. Kantemir, through the formal experiments of Trediakovskij and Lomonosov, Sumarokov’s “sklonenie na russkie nravy”, and the subsequent original elaboration by undisputed Russian representative I. Krylov. The article examines G. R. Derzhavin’s fable production in the context of the genre’s reception in 18th-century Russia. Derzhavin’s fables were published posthumously and have been little studied to this day. Overall, the poet composed 24 fables, 4 of which are based on the elaboration of Aesopian subjects. The latter are specific subjects of analysis through their comparison with previous literary versions. The work demonstrates how Derzhavin’ Aesopian fables versions are original and interesting as echoes of his creative evolution.


Files in this item

FilesSizeFormatView

There are no files associated with this item.

This item appears in the following Collection(s)

Show simple item record

open access
Except where otherwise noted, this item's license is described as open access