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dc.contributor.authorXu, Rui
dc.date.accessioned2025-11-23T19:49:00Z
dc.date.available2025-11-23T19:49:00Z
dc.date.issued2025
dc.date.submitted2025-01-06T11:08:32Z
dc.identifierhttps://library.oapen.org/handle/20.500.12657/96877
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/204443
dc.description.abstractCreating with Roots is a critical introduction to the history, theory, and creative practice of Chinese national folk dance, the Chinese-speaking world’s most popular contemporary dance form. A complex cultural and artistic phenomenon that resists simple categorization, Chinese national folk dance merges folkloric material with contemporary stage aesthetics and blends rural folk dances of the Han majority with dances representing China’s minoritized ethnic communities, bridging cultural differences of geography, economic class, and ethnicity. As such, Chinese national folk dance has become a lightning rod for current debates in the arts worldwide—how to balance local heritage with artistic innovation, how to maintain cultural integrity amid commercialization and Eurocentrism, and the ethics of representation in contemporary multiculturalism. Chinese national folk dance is increasingly a globalized phenomenon: schools, classes, competitions, and performances of professionals and amateurs now exist all across the world. Originally published in Chinese and authored by prominent Chinese dance scholar, Rui Xu, this English translation will be an essential resource for the global conversation about how dancers and choreographers navigate tradition and innovation in contemporary national folk dance choreography. Creating with Roots offers a detailed breakdown of key terms and concepts necessary for understanding Chinese national folk dance and analyzes 37 examples of choreography dating from the 1940s to 2000. The author situates these explanations within the longer history of cultural practice and theory in China and in relation to the international dance discourses of the former Soviet Union, Eastern Europe, Western Europe, and North America.
dc.languageEnglish
dc.rightsopen access
dc.subject.classificationthema EDItEUR::N History and Archaeology::NH History
dc.subject.classificationthema EDItEUR::N History and Archaeology::NH History::NHF Asian history
dc.subject.classificationthema EDItEUR::A The Arts::AT Performing arts::ATQ Dance::ATQZ Folk dancing
dc.subject.classificationthema EDItEUR::A The Arts::AT Performing arts::ATQ Dance
dc.subject.otherChinese Dance, Chinese Ethnic Dance, Chinese Folk Dance, Contemporary Chinese Choreography, Chinese Concert Dance, Chinese Ethnic and Folk Dance, Peacock Dance, Yangge Dance, Mongolian Dance, Uyghur Dance, Han Folk Dance, Dai Ailian, Wu Xiaobang, Beijing Dance Academy, Chinese Dance Criticism, Xu Rui, Emily Wilcox, Yang Liping, Jia Zuoguang, Chinese Dance History, Chinese Dance Theory, Socialist Dance
dc.titleCreating with Roots
dc.title.alternativeContemporary Chinese National Folk Dance Choreography
dc.typebook
oapen.identifier.doi10.3998/mpub.12912253
oapen.relation.isPublishedByb7359529-e5f7-4510-a59f-d7dafa1d4d17
oapen.relation.isbn9780472077151
oapen.relation.isbn9780472057153
oapen.pages255
peerreview.review.typeFull text
peerreview.anonymityDouble-anonymised
peerreview.reviewer.typeExternal peer reviewer
peerreview.review.stagePre-publication
peerreview.open.reviewNo
peerreview.publish.responsibilityScientific or Editorial Board
peerreview.idd98bf225-990a-4ac4-acf4-fd7bf0dfb00c
peerreview.titleExternal Review of Whole Manuscript


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