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dc.contributor.authorMarenco, Franco
dc.date.accessioned2025-11-23T20:43:48Z
dc.date.available2025-11-23T20:43:48Z
dc.date.issued2024
dc.date.submitted2025-08-01T15:50:35Z
dc.identifierONIX_20250801T173835_9791221505658_168
dc.identifier2420-8361
dc.identifierhttps://library.oapen.org/handle/20.500.12657/104718
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/204468
dc.description.abstractThe essay provides a bird’s eye view of Luigi Meneghello’s social and intellectual life at the University of Reading in the early Sixties. It includes his wife Katia’s great contribution as well as those of his main colleagues along with their notable achievements. It describes the profound sense of openness in university life of those days, the exciting international milieu and the privilege given to for humane learning. Meneghello’s attitude to other arts and to contemporary cinema is explored, along with his delight in mixing several registers, languages, dialects and genres in his writings – “an amalgam of opposites” – often with comic intentions and results. Possible contemporary English and American influences on his prose and intellectual posture are discussed, with reflective humour a guiding concern, rather new in the Italian post-war literature.
dc.languageItalian
dc.relation.ispartofseriesBiblioteca di Studi di Filologia Moderna
dc.rightsopen access
dc.subject.otherColleagues and society life
dc.subject.otherConstituents of intellectual life
dc.subject.otherKatia’s contribution
dc.subject.otherLiterary influences and achievement
dc.subject.otherReading University
dc.titleChapter Fra dispatrio e rimpatrio: Luigi Meneghello nella fase inglese
dc.typechapter
oapen.identifier.doi10.36253/979-12-215-0565-8.09
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9791221505658
oapen.pages12
oapen.place.publicationFlorence
dc.seriesnumber77
dc.abstractotherlanguageThe essay provides a bird’s eye view of Luigi Meneghello’s social and intellectual life at the University of Reading in the early Sixties. It includes his wife Katia’s great contribution as well as those of his main colleagues along with their notable achievements. It describes the profound sense of openness in university life of those days, the exciting international milieu and the privilege given to for humane learning. Meneghello’s attitude to other arts and to contemporary cinema is explored, along with his delight in mixing several registers, languages, dialects and genres in his writings – “an amalgam of opposites” – often with comic intentions and results. Possible contemporary English and American influences on his prose and intellectual posture are discussed, with reflective humour a guiding concern, rather new in the Italian post-war literature.


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