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dc.contributor.authorParkes, Kelly A.
dc.contributor.authorDaniel, Ryan
dc.date.accessioned2025-11-25T23:22:30Z
dc.date.available2025-11-25T23:22:30Z
dc.date.issued2024
dc.date.submitted2025-05-30T06:42:01Z
dc.identifierONIX_20250530T083217_9781040228333_19
dc.identifierhttps://library.oapen.org/handle/20.500.12657/103063
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/205748
dc.description.abstractThis book presents an examination of the applied music studio as part of higher education. Applied music studios are where students learn an instrument or voice in one-to-one settings with high-level musician teachers. This book reconceptualizes this teaching model within higher education, and it provides a critical lens, seated in current research provided by a diverse and highly influential set of researcher authors. It provides expert suggestions for improved teaching and learning practices in the applied music studio for readers who may be teachers themselves. It may also provide direction for leaders, directors, and department chairs who oversee the quality of applied music studio settings in the respective higher education units. The key feature of this book is that each chapter will explore new and relevant research, bringing new knowledge to the reader. Each chapter will also suggest relevant applied music studio practices and opportunities based on this targeted research literature. The primary audience for this book would be applied music studio teachers who engage in teaching within the applied music studio, offering suggestions for higher education and private teaching. A secondary audience would be music education researchers at all levels and who have an interest in contemporary thinking relevant to the applied music studio, as well as those interested in the master-apprentice format for learning in any field. Additionally, directors and chairs of music units globally in higher education would find this book helpful in guiding practice in the applied music studio within higher education settings. The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons [Attribution-Non Commercial-No Derivatives (CC BY-NC-ND)] 4.0 license.
dc.languageEnglish
dc.relation.ispartofseriesRoutledge Studies in Music Education
dc.rightsopen access
dc.subject.classificationthema EDItEUR::J Society and Social Sciences::JM Psychology::JMR Cognition and cognitive psychology
dc.subject.classificationthema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology
dc.subject.classificationthema EDItEUR::A The Arts::AV Music::AVR Musical instruments
dc.subject.otherApplied Music Studio
dc.subject.otherMusic Education
dc.subject.otherMaster-Apprentice
dc.subject.otherRelational Learning
dc.subject.otherMusic Technologies
dc.subject.otherStudent-centered
dc.subject.otherPower
dc.subject.otherCritical pedagogies
dc.subject.otherOne-to-one Learning
dc.titleThe Applied Studio Model in Higher Music Education
dc.title.alternativeCritical Perspectives and Opportunities
dc.typebook
oapen.identifier.doi10.4324/9781003426448
oapen.relation.isPublishedByfa69b019-f4ee-4979-8d42-c6b6c476b5f0
oapen.relation.isFundedBydacf1b91-1b1b-466d-a935-d8daeac1f52c
oapen.relation.isFundedBy9432cec5-f7e0-412c-8b5c-d5659a7cb5b7
oapen.relation.isbn9781040228333
oapen.relation.isbn9781003426448
oapen.relation.isbn9781040228388
oapen.relation.isbn9781032720357
oapen.imprintRoutledge
oapen.pages222
oapen.place.publicationOxford
oapen.grant.number[...]
peerreview.review.typeProposal
peerreview.anonymitySingle-anonymised
peerreview.reviewer.typeInternal editor
peerreview.reviewer.typeExternal peer reviewer
peerreview.review.stagePre-publication
peerreview.open.reviewNo
peerreview.publish.responsibilityPublisher
peerreview.idbc80075c-96cc-4740-a9f3-a234bc2598f1
dc.relationisFundedBy9432cec5-f7e0-412c-8b5c-d5659a7cb5b7
peerreview.titleProposal review


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