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Chapter Il codice, la materia, il derma. Scritture dei corpi in Luigi Meneghello

dc.contributor.authorSalvadori, Diego
dc.date.accessioned2025-11-27T06:59:04Z
dc.date.available2025-11-27T06:59:04Z
dc.date.issued2024
dc.date.submitted2025-08-01T15:50:44Z
dc.identifierONIX_20250801T173835_9791221505658_171
dc.identifier2420-8361
dc.identifierhttps://library.oapen.org/handle/20.500.12657/104721
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/206131
dc.description.abstractThis essay aims to analyse the representations of the body in Luigi Meneghello’s literary production, specifically focusing on three aspects: the materiality of language and the morphological ontology of thought; corporeal representation of geographical spaces; posthuman condition and biomechanical hybrids. It follows that the «DNA del reale», which has always been a structuring force behind the writer’s epistemological drive, resides in a dense materiality, composed of flesh, which can also be examined through philosophical currents of phenomenology.
dc.languageItalian
dc.relation.ispartofseriesBiblioteca di Studi di Filologia Moderna
dc.rightsopen access
dc.subject.otherBody Studies
dc.subject.otherLibera nos a malo
dc.subject.otherLuigi Meneghello
dc.subject.otherMaterialism
dc.subject.otherPhenomenology
dc.titleChapter Il codice, la materia, il derma. Scritture dei corpi in Luigi Meneghello
dc.typechapter
oapen.identifier.doi10.36253/979-12-215-0565-8.32
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9791221505658
oapen.pages9
oapen.place.publicationFlorence
dc.seriesnumber77
dc.abstractotherlanguageThis essay aims to analyse the representations of the body in Luigi Meneghello’s literary production, specifically focusing on three aspects: the materiality of language and the morphological ontology of thought; corporeal representation of geographical spaces; posthuman condition and biomechanical hybrids. It follows that the «DNA del reale», which has always been a structuring force behind the writer’s epistemological drive, resides in a dense materiality, composed of flesh, which can also be examined through philosophical currents of phenomenology.


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