Between Figure and Ground
Seeing in Premodernity
| dc.contributor.editor | Quené, Saskia C. | |
| dc.date.accessioned | 2025-11-28T01:15:24Z | |
| dc.date.available | 2025-11-28T01:15:24Z | |
| dc.date.issued | 2025 | |
| dc.date.submitted | 2025-05-22T08:39:28Z | |
| dc.identifier | ONIX_20250521T121453_9783422801226_49 | |
| dc.identifier | https://library.oapen.org/handle/20.500.12657/102399 | |
| dc.identifier.uri | https://doab-dev.siscern.org/handle/20.500.12854/206566 | |
| dc.description.abstract | The terms "figure" and "ground" became fundamental to art-historical analysis. But is this dichotomy suited to describe premodern art and? This volume calls into question long-standing habits of seeing and understanding figure-ground relations, expands art historical vocabularies, and challenges anachronistic attachments to modernist paradigms | |
| dc.language | English | |
| dc.language | German | |
| dc.rights | open access | |
| dc.subject.classification | thema EDItEUR::A The Arts::AB The arts: general topics::ABA Theory of art | |
| dc.subject.other | figure, ground, art theory | |
| dc.title | Between Figure and Ground | |
| dc.title.alternative | Seeing in Premodernity | |
| dc.type | book | |
| oapen.identifier.doi | 10.1515/9783422801226 | |
| oapen.relation.isPublishedBy | af2fbfcc-ee87-43d8-a035-afb9d7eef6a5 | |
| oapen.relation.isFundedBy | 4bb461ae-a887-4564-b3a7-29e6d7e08318 | |
| oapen.relation.isFundedBy | 07f61e34-5b96-49f0-9860-c87dd8228f26 | |
| oapen.relation.isbn | 9783422801226 | |
| oapen.relation.isbn | 9783422801219 | |
| oapen.collection | Swiss National Science Foundation (SNF) | |
| oapen.imprint | Deutscher Kunstverlag (DKV) | |
| oapen.pages | 652 | |
| oapen.place.publication | Berlin/Boston | |
| oapen.grant.number | [...] | |
| dc.relationisFundedBy | 07f61e34-5b96-49f0-9860-c87dd8228f26 |
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