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dc.contributor.authorZechner, Ingeborg
dc.date.accessioned2025-11-29T08:28:40Z
dc.date.available2025-11-29T08:28:40Z
dc.date.issued2024
dc.date.submitted2025-08-05T14:17:42Z
dc.identifierONIX_20250805T161025_9783205219095_3
dc.identifierhttps://library.oapen.org/handle/20.500.12657/104995
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/206777
dc.description.abstractThis book examines musical careers in the 20th century, focusing on the Hollywood composer Franz Waxman (1906–1967). The perspective "between film music and the concert hall" illuminates both the composer's diverse professional fields and the media transfer of his film scores. The first comprehensive monograph on the composer Franz Waxman (1906–1967) offers a new perspective on Hollywood film music from the 1930s to the 1960s, as well as on the music history of the 20th century, spanning modernism, the canonized concert culture of the long 19th century, and contemporary popular music.
dc.languageGerman
dc.rightsopen access
dc.subject.classificationthema EDItEUR::A The Arts::AV Music::AVM History of music
dc.subject.classificationthema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MP 20th century, c 1900 to c 1999
dc.subject.classificationthema EDItEUR::1 Place qualifiers::1K The Americas::1KB North America (USA and Canada)
dc.subject.classificationthema EDItEUR::1 Place qualifiers::1D Europe::1DF Central Europe::1DFG Germany
dc.subject.otherFranz Wachsmann
dc.subject.otherWeintraub Syncopators
dc.subject.otherBride of Frankenstein
dc.titleFranz Waxman: Zwischen Filmmusik und Konzertsaal
dc.typebook
oapen.identifier.doi10.7767/9783205219095
oapen.relation.isPublishedBy33fecb33-e7c4-4fc8-96b0-7ba2fccafba9
oapen.relation.isbn9783205219095
oapen.relation.isbn9783205219071
oapen.imprintBöhlau
oapen.pages432
oapen.place.publicationWien
dc.abstractotherlanguageThis book examines musical careers in the 20th century, focusing on the Hollywood composer Franz Waxman (1906–1967). The perspective "between film music and the concert hall" illuminates both the composer's diverse professional fields and the media transfer of his film scores. The first comprehensive monograph on the composer Franz Waxman (1906–1967) offers a new perspective on Hollywood film music from the 1930s to the 1960s, as well as on the music history of the 20th century, spanning modernism, the canonized concert culture of the long 19th century, and contemporary popular music.


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