Franz Waxman: Zwischen Filmmusik und Konzertsaal
| dc.contributor.author | Zechner, Ingeborg | |
| dc.date.accessioned | 2025-11-29T08:28:40Z | |
| dc.date.available | 2025-11-29T08:28:40Z | |
| dc.date.issued | 2024 | |
| dc.date.submitted | 2025-08-05T14:17:42Z | |
| dc.identifier | ONIX_20250805T161025_9783205219095_3 | |
| dc.identifier | https://library.oapen.org/handle/20.500.12657/104995 | |
| dc.identifier.uri | https://doab-dev.siscern.org/handle/20.500.12854/206777 | |
| dc.description.abstract | This book examines musical careers in the 20th century, focusing on the Hollywood composer Franz Waxman (1906–1967). The perspective "between film music and the concert hall" illuminates both the composer's diverse professional fields and the media transfer of his film scores. The first comprehensive monograph on the composer Franz Waxman (1906–1967) offers a new perspective on Hollywood film music from the 1930s to the 1960s, as well as on the music history of the 20th century, spanning modernism, the canonized concert culture of the long 19th century, and contemporary popular music. | |
| dc.language | German | |
| dc.rights | open access | |
| dc.subject.classification | thema EDItEUR::A The Arts::AV Music::AVM History of music | |
| dc.subject.classification | thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MP 20th century, c 1900 to c 1999 | |
| dc.subject.classification | thema EDItEUR::1 Place qualifiers::1K The Americas::1KB North America (USA and Canada) | |
| dc.subject.classification | thema EDItEUR::1 Place qualifiers::1D Europe::1DF Central Europe::1DFG Germany | |
| dc.subject.other | Franz Wachsmann | |
| dc.subject.other | Weintraub Syncopators | |
| dc.subject.other | Bride of Frankenstein | |
| dc.title | Franz Waxman: Zwischen Filmmusik und Konzertsaal | |
| dc.type | book | |
| oapen.identifier.doi | 10.7767/9783205219095 | |
| oapen.relation.isPublishedBy | 33fecb33-e7c4-4fc8-96b0-7ba2fccafba9 | |
| oapen.relation.isbn | 9783205219095 | |
| oapen.relation.isbn | 9783205219071 | |
| oapen.imprint | Böhlau | |
| oapen.pages | 432 | |
| oapen.place.publication | Wien | |
| dc.abstractotherlanguage | This book examines musical careers in the 20th century, focusing on the Hollywood composer Franz Waxman (1906–1967). The perspective "between film music and the concert hall" illuminates both the composer's diverse professional fields and the media transfer of his film scores. The first comprehensive monograph on the composer Franz Waxman (1906–1967) offers a new perspective on Hollywood film music from the 1930s to the 1960s, as well as on the music history of the 20th century, spanning modernism, the canonized concert culture of the long 19th century, and contemporary popular music. |
Fichier(s) constituant ce document
| Fichiers | Taille | Format | Vue |
|---|---|---|---|
|
Il n'y a pas de fichiers associés à ce document. |
|||

