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dc.contributor.authorEngl, Richard
dc.date.accessioned2025-11-29T15:52:18Z
dc.date.available2025-11-29T15:52:18Z
dc.date.issued2024
dc.date.submitted2024-12-20T12:41:34Z
dc.identifierONIX_20241220_9791221504033_347
dc.identifier2704-6079
dc.identifierhttps://library.oapen.org/handle/20.500.12657/96553
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/206962
dc.description.abstractThe Genoese annals are famous as an early and official Italian communal chronicle written by laymen. However, comparatively little research has been done on the drawings accompanying Cafaro’s and Oberto’s annals in the surviving original manuscript BNF ms. Lat. 10136. This article re-dates these drawings, closes gaps in the iconographic interpretation – particularly with regard to animal motifs, ships and floral ornaments – and reconstructs verisimilar functions of the images. These were probably intended to make it easier for the ruling elite to access important historical knowledge, to affirm the communal constitutional model and to emphasise memories that created unity and identity.
dc.languageGerman
dc.relation.ispartofseriesReti Medievali E-Book
dc.rightsopen access
dc.subject.classificationthema EDItEUR::N History and Archaeology::NH History::NHB General and world history
dc.subject.otherMiddle Ages
dc.subject.other12th century
dc.subject.otherGenoa
dc.subject.otherCaffaro
dc.subject.otherOberto
dc.subject.otherilluminated manuscripts
dc.subject.otherhistoriography
dc.subject.othercommune
dc.titleChapter Regieren mit Bildern. Funktion und Rezeption der Genueser Annalen im Spiegel ihrer Randzeichnungen
dc.typechapter
oapen.identifier.doi10.36253/979-12-215-0403-3.19
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9791221504033
oapen.pages29
oapen.place.publicationFlorence
dc.seriesnumber47
dc.abstractotherlanguageThe Genoese annals are famous as an early and official Italian communal chronicle written by laymen. However, comparatively little research has been done on the drawings accompanying Cafaro’s and Oberto’s annals in the surviving original manuscript BNF ms. Lat. 10136. This article re-dates these drawings, closes gaps in the iconographic interpretation – particularly with regard to animal motifs, ships and floral ornaments – and reconstructs verisimilar functions of the images. These were probably intended to make it easier for the ruling elite to access important historical knowledge, to affirm the communal constitutional model and to emphasise memories that created unity and identity.


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