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Chapter Posizionamenti storiografici. Luigi Meneghello nei più recenti manuali di letteratura italiana del Novecento

dc.contributor.authorNisini, Giorgio
dc.date.accessioned2025-11-29T16:55:35Z
dc.date.available2025-11-29T16:55:35Z
dc.date.issued2024
dc.date.submitted2025-08-01T15:51:30Z
dc.identifierONIX_20250801T173835_9791221505658_186
dc.identifier2420-8361
dc.identifierhttps://library.oapen.org/handle/20.500.12657/104736
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/206990
dc.description.abstractLuigi Meneghello is a firmly established author in the 20th century Italian literary canon. His critical profile, however, is less stable: on the one hand, he is mainly remembered as one of the main writers of the Resistance, especially thanks to his autobiographical novel I piccoli maestri (1964); on the other hand, he is fully framed in the field of linguistic experimentalism of the 1960s-1970s, with the attention of critics focused in particular on his debut work Libera nos a malo (1963). By analysing the main literary histories adopted in Italian universities in the last three years, this essay aims to reflect on the historiographic positioning of Meneghello a hundred years after his birth.
dc.languageItalian
dc.relation.ispartofseriesBiblioteca di Studi di Filologia Moderna
dc.rightsopen access
dc.subject.otherCanon
dc.subject.otherHistories of Italian literature
dc.subject.otherInterpretative issues
dc.subject.otherLuigi Meneghello
dc.subject.otherTextbooks
dc.titleChapter Posizionamenti storiografici. Luigi Meneghello nei più recenti manuali di letteratura italiana del Novecento
dc.typechapter
oapen.identifier.doi10.36253/979-12-215-0565-8.46
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9791221505658
oapen.pages11
oapen.place.publicationFlorence
dc.seriesnumber77
dc.abstractotherlanguageLuigi Meneghello is a firmly established author in the 20th century Italian literary canon. His critical profile, however, is less stable: on the one hand, he is mainly remembered as one of the main writers of the Resistance, especially thanks to his autobiographical novel I piccoli maestri (1964); on the other hand, he is fully framed in the field of linguistic experimentalism of the 1960s-1970s, with the attention of critics focused in particular on his debut work Libera nos a malo (1963). By analysing the main literary histories adopted in Italian universities in the last three years, this essay aims to reflect on the historiographic positioning of Meneghello a hundred years after his birth.


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