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Chapter Artigianato digitale

dc.contributor.authorGranelli, Andrea
dc.date.accessioned2025-11-30T07:07:10Z
dc.date.available2025-11-30T07:07:10Z
dc.date.issued2024
dc.date.submitted2024-12-20T12:30:28Z
dc.identifierONIX_20241220_9791221503197_97
dc.identifier2704-5919
dc.identifierhttps://library.oapen.org/handle/20.500.12657/96301
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/207295
dc.description.abstractThe figure of the craftsman, contrary to common opinion, has always represented the tradition that is constantly renewed. Today this figure is even more an expression of contemporaneity, where customization, regeneration and recycling, being at “zero kilometer” and above all the need to build their own work tools to be even more productive and better quality are a fundamental aspect of the new production. A maxim – attributed to a famous advertiser – reads in fact “enough is not enugh” and reiterates this real obsession with things well don. And young people are also rediscovering this world: from the phenomenon of makers to the figure of chef, a real food artisan. In particular, digital has drawn a lot from artisan culture: from the construction of fast programming tools to the very concept of repair – renamed software maintenance.
dc.languageItalian
dc.relation.ispartofseriesStudi e saggi
dc.rightsopen access
dc.subject.classificationthema EDItEUR::N History and Archaeology::NH History::NHB General and world history
dc.subject.otherCraftmanship
dc.subject.otherDigital
dc.subject.otherMaker
dc.subject.otherInnovation
dc.titleChapter Artigianato digitale
dc.typechapter
oapen.identifier.doi10.36253/979-12-215-0319-7.170
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9791221503197
oapen.pages7
oapen.place.publicationFlorence
dc.seriesnumber257
dc.abstractotherlanguageThe figure of the craftsman, contrary to common opinion, has always represented the tradition that is constantly renewed. Today this figure is even more an expression of contemporaneity, where customization, regeneration and recycling, being at “zero kilometer” and above all the need to build their own work tools to be even more productive and better quality are a fundamental aspect of the new production. A maxim – attributed to a famous advertiser – reads in fact “enough is not enugh” and reiterates this real obsession with things well don. And young people are also rediscovering this world: from the phenomenon of makers to the figure of chef, a real food artisan. In particular, digital has drawn a lot from artisan culture: from the construction of fast programming tools to the very concept of repair – renamed software maintenance.


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