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dc.contributor.editorFürnkranz, Magdalena
dc.contributor.editorGiannini, Juri
dc.date.accessioned2025-11-30T07:51:32Z
dc.date.available2025-11-30T07:51:32Z
dc.date.issued2024
dc.date.submitted2025-05-01T12:58:51Z
dc.identifierhttps://library.oapen.org/handle/20.500.12657/101229
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/207308
dc.description.abstractThis volume explores different aspects of the yet uncanonised disco culture that thrived in Yugoslavia from the late 1970s until the early 1980s. Yugoslav disco culture points to the many issues and dilemmas at the heart of late socialism: With funk pioneers and Estrada emulators, gender transgressors and male chauvinists, affluent clubbers and Roma dancers, mainstream promoters and hostile critics, disco resists the polarizing definitions of conformist or progressive, official or subcultural, repression or dissent. Operating within gray zones, it highlights the inadequacy of the outdated binary matrix typically used for the interpretation of popular culture under socialism.
dc.languageEnglish
dc.relation.ispartofseriesTheMA - Open Access Research Journal for Theatre, Music, Arts
dc.rightsopen access
dc.subject.classificationthema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies
dc.subject.classificationthema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
dc.subject.otheryugoslav disco, music, musical culture, late socialism
dc.titleTheMA - Open Access Research Journal for Theatre, Music, Arts
dc.title.alternativeYugoslavian Disco. Digging into an “Excluded” Musical Culture of Late Socialism, Vol. X/2024
dc.typebook
oapen.relation.isPublishedByc8eee496-8ca2-48e6-8649-64e1ed2ac6de
oapen.relation.isbn9783990941805
oapen.pages118
dc.seriesnumberX/2024


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