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dc.contributor.authorPye, Valerie Clayman
dc.date.accessioned2025-12-01T08:05:53Z
dc.date.available2025-12-01T08:05:53Z
dc.date.issued2017
dc.date.submitted2025-05-26T07:19:57Z
dc.identifierONIX_20250526T085745_9781317208785_76
dc.identifierhttps://library.oapen.org/handle/20.500.12657/102645
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/207818
dc.description.abstractWhat can the Globe Theatre tell us about performing Shakespeare? Unearthing Shakespeare is the first book to consider what the Globe, today’s replica of Shakespeare’s theatre, can contribute to a practical understanding of Shakespeare’s plays. Valerie Clayman Pye reconsiders the material evidence of Early Modern theatre-making, presenting clear, accessible discussions of historical theatre practice; stages and staging; and the relationship between actor and audience. She relays this into a series of training exercises for actors at all levels. From "Shakesball" and "Telescoping" to Elliptical Energy Training and The Radiating Box, this is a rich set of resources for anyone looking to tackle Shakespeare with authenticity and confidence. The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
dc.languageEnglish
dc.rightsopen access
dc.subject.classificationthema EDItEUR::D Biography, Literature and Literary studies::DD Plays, playscripts::DDA Classic and pre-20th century plays
dc.subject.classificationthema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies::ATDC Acting techniques
dc.subject.otherVerse Line
dc.subject.otherArchaeology
dc.subject.otherVerse
dc.subject.otherSolo
dc.subject.otherRichard III
dc.subject.otherFolio
dc.subject.otherMaterial Performance Conditions
dc.subject.otherGlobe
dc.subject.otherFlat Unraised Spirits
dc.subject.otherCharacter
dc.subject.otherOpen Mic Poetry
dc.subject.otherOrthography
dc.subject.otherShakespeare’s Globe
dc.subject.otherTechnique
dc.subject.otherYONder WINdow BREAKS
dc.subject.otherShakespeare’s Language
dc.subject.otherPercy’s Head
dc.subject.otherIambic Pentameter
dc.subject.otherSir Proteus
dc.subject.otherFeminine Endings
dc.subject.otherLinguistic Energy
dc.subject.otherShakespeare’s Texts
dc.subject.otherBreath Capacity
dc.subject.otherLord Chamberlain’s Men
dc.subject.otherHee’s Heere
dc.subject.otherDeep Damnation
dc.subject.otherImpulse Action Response
dc.subject.otherBlue Shirt
dc.subject.otherShakespeare’s Playhouse
dc.subject.otherBevington Edition
dc.titleUnearthing Shakespeare
dc.title.alternativeEmbodied Performance and the Globe
dc.typebook
oapen.identifier.doi10.4324/9781315617718
oapen.relation.isPublishedByfa69b019-f4ee-4979-8d42-c6b6c476b5f0
oapen.relation.isbn9781317208785
oapen.relation.isbn9781138670259
oapen.relation.isbn9781315617718
oapen.relation.isbn9781317208761
oapen.relation.isbn9781138670273
oapen.relation.isbn9781317208778
oapen.imprintRoutledge
oapen.pages238
oapen.place.publicationOxford
peerreview.review.typeProposal
peerreview.anonymitySingle-anonymised
peerreview.reviewer.typeInternal editor
peerreview.reviewer.typeExternal peer reviewer
peerreview.review.stagePre-publication
peerreview.open.reviewNo
peerreview.publish.responsibilityPublisher
peerreview.idbc80075c-96cc-4740-a9f3-a234bc2598f1
peerreview.titleProposal review


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