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L’homme-machine – L’utopie d’un Homme nouveau ?

Regards sur la masculinité dans les œuvres des artistes français et allemands de l’avant-garde

dc.contributor.authorFrèrejean, Catherine
dc.date.accessioned2025-12-01T14:37:11Z
dc.date.available2025-12-01T14:37:11Z
dc.date.issued2024
dc.date.submitted2025-02-18T11:09:15Z
dc.identifierONIX_20250218_9783111239507_84
dc.identifier2943-5897
dc.identifierhttps://library.oapen.org/handle/20.500.12657/98827
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/207970
dc.description.abstractArmoured soldiers, sexualized machine men, mechanized athletes: Between 1914 and 1926, artists of the German and French avant-garde used the mechanical body as a motif to illustrate the crises of their time and to question man’s place in society. This volume analyses how the motif was staged – as a masculine utopia offering a saviour, a New Man – applying examples from key modernist works.
dc.languageFrench
dc.relation.ispartofseriesMaterialität und Produktion
dc.rightsopen access
dc.subject.classificationthema EDItEUR::A The Arts::AB The arts: general topics
dc.subject.classificationthema EDItEUR::A The Arts::AF The Arts: art forms::AFC Paintings and painting
dc.subject.classificationthema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
dc.subject.classificationthema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGB Individual artists, art monographs
dc.subject.classificationthema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGH Human figures depicted in art::AGHF Portraits and self-portraiture in art
dc.subject.otherAvant-garde
dc.subject.otherGender Studies
dc.subject.otherMachine Man
dc.subject.otherModernity
dc.subject.otherUtopia
dc.titleL’homme-machine – L’utopie d’un Homme nouveau ?
dc.title.alternativeRegards sur la masculinité dans les œuvres des artistes français et allemands de l’avant-garde
dc.typebook
oapen.identifier.doi10.1515/978311123950
oapen.relation.isPublishedByaf2fbfcc-ee87-43d8-a035-afb9d7eef6a5
oapen.relation.isbn9783111239507
oapen.relation.isbn9783111239040
oapen.imprintDe Gruyter
oapen.pages316
oapen.place.publicationBerlin/Boston
dc.abstractotherlanguageArmoured soldiers, sexualized machine men, mechanized athletes: Between 1914 and 1926, artists of the German and French avant-garde used the mechanical body as a motif to illustrate the crises of their time and to question man’s place in society. This volume analyses how the motif was staged – as a masculine utopia offering a saviour, a New Man – applying examples from key modernist works.


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