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dc.contributor.authorCaputo, Francesca
dc.date.accessioned2025-12-01T17:18:19Z
dc.date.available2025-12-01T17:18:19Z
dc.date.issued2024
dc.date.submitted2025-08-01T15:50:42Z
dc.identifierONIX_20250801T173835_9791221505658_170
dc.identifier2420-8361
dc.identifierhttps://library.oapen.org/handle/20.500.12657/104720
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/208032
dc.description.abstractThe essay analyses the sixth chapter of Fiori italiani by Luigi Meneghello. It highlights its composite and pluritonal nature, more pronounced than in the other chapters of the book, and focuses on three fascist characters. Cesare Bolognesi and Enzo Pezzato are two of the protagonist S.’s contemporaries, representing fates to which S. could also have been subjected (death in the war, joining the Italian Social Republic after 8 September 1943). Delineated with painful pathos, Carlo Barbieri (a figure little appreciated by critics), is a young man a few years older than the other two, the editor of the newspaper where S. will carry out a period of apprenticeship. This will have a significant formative function for the protagonist on a human and professional level and in the unmasking of fascism.
dc.languageItalian
dc.relation.ispartofseriesBiblioteca di Studi di Filologia Moderna
dc.rightsopen access
dc.subject.otherEducation
dc.subject.otherFascism
dc.subject.otherJournalism
dc.subject.otherMeneghello
dc.subject.otherNarrator
dc.titleChapter Il capitolo 6 di Fiori italiani: compagni contro-figure, un maestro «adulto» e «metropolitano»
dc.typechapter
oapen.identifier.doi10.36253/979-12-215-0565-8.44
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9791221505658
oapen.pages17
oapen.place.publicationFlorence
dc.seriesnumber77
dc.abstractotherlanguageThe essay analyses the sixth chapter of Fiori italiani by Luigi Meneghello. It highlights its composite and pluritonal nature, more pronounced than in the other chapters of the book, and focuses on three fascist characters. Cesare Bolognesi and Enzo Pezzato are two of the protagonist S.’s contemporaries, representing fates to which S. could also have been subjected (death in the war, joining the Italian Social Republic after 8 September 1943). Delineated with painful pathos, Carlo Barbieri (a figure little appreciated by critics), is a young man a few years older than the other two, the editor of the newspaper where S. will carry out a period of apprenticeship. This will have a significant formative function for the protagonist on a human and professional level and in the unmasking of fascism.


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