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Chapter Da Pistoia a Shawbak, passando per Palermo e Cairo

dc.contributor.authorCURATOLA, Giovanni
dc.date.accessioned2025-12-01T23:11:20Z
dc.date.available2025-12-01T23:11:20Z
dc.date.issued2024
dc.date.submitted2024-12-20T12:38:22Z
dc.identifierONIX_20241220_9791221503760_277
dc.identifier2704-5870
dc.identifierhttps://library.oapen.org/handle/20.500.12657/96482
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/208187
dc.description.abstractThe portion of flooring decorated with opus sectile squares, recently found in the still initial archaeological excavations at al-Jayyah at the feet of Shawbak castle, are the pretext for some brief observations regarding the contacts (almost presumed) between different western and middle eastern worlds, and about the spread into an Islamic milieu of that specific technique. These are artistic suggestions that in medieval time touched Venice, Palermo and Cairo. The text is limited to a hint of analysis, and a few tracks for further insights are given.
dc.languageItalian
dc.relation.ispartofseriesStrumenti per la didattica e la ricerca
dc.rightsopen access
dc.subject.classificationthema EDItEUR::N History and Archaeology::NK Archaeology
dc.subject.classificationthema EDItEUR::N History and Archaeology::NK Archaeology::NKD Archaeology by period / region
dc.subject.otherOpus sectile
dc.subject.otherShawbak
dc.subject.otherlinks
dc.subject.otherPalermo
dc.subject.otherCairo
dc.titleChapter Da Pistoia a Shawbak, passando per Palermo e Cairo
dc.typechapter
oapen.identifier.doi10.36253/979-12-215-0376-0.15
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9791221503760
oapen.pages14
oapen.place.publicationFlorence
dc.seriesnumber225
dc.abstractotherlanguageThe portion of flooring decorated with opus sectile squares, recently found in the still initial archaeological excavations at al-Jayyah at the feet of Shawbak castle, are the pretext for some brief observations regarding the contacts (almost presumed) between different western and middle eastern worlds, and about the spread into an Islamic milieu of that specific technique. These are artistic suggestions that in medieval time touched Venice, Palermo and Cairo. The text is limited to a hint of analysis, and a few tracks for further insights are given.


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