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dc.contributor.authorGALLITELLI, ELEONORA
dc.date.accessioned2025-12-01T23:30:10Z
dc.date.available2025-12-01T23:30:10Z
dc.date.issued2024
dc.date.submitted2024-12-20T12:46:09Z
dc.identifierONIX_20241220_9791221504484_447
dc.identifier2704-5986
dc.identifierhttps://library.oapen.org/handle/20.500.12657/96654
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/208199
dc.description.abstractIn the last decades of the eighteenth century, Voltaire sparked off a fierce debate on the merits and demerits of Shakespeare’s plays, to which Baretti responded with his Discours sur Shakespeare et sur M. de Voltaire. Defending the English playwright against the charges brought against him by the French philosopher, Baretti framed what would be a fundamental tension in the transition from the Age of Enlightenment to the Romantic Age: the question of universalism, understood in terms of the opposition between “universal taste” and “national genius”. In an argument remarkable for its profundity and breadth of reference, Baretti raises issues that are still topical today, such as the process of globalization and the desire to overcome cultural boundaries and achieve a homogenization of aesthetic taste, bringing a new urgency to the dialectic between the universal and the particular.
dc.languageItalian
dc.relation.ispartofseriesBiblioteca di storia
dc.rightsopen access
dc.subject.classificationthema EDItEUR::C Language and Linguistics::CF Linguistics
dc.subject.classificationthema EDItEUR::C Language and Linguistics::CF Linguistics::CFP Translation and interpretation
dc.subject.classificationthema EDItEUR::N History and Archaeology::NH History::NHB General and world history
dc.subject.otherVoltaire
dc.subject.otherShakespeare
dc.subject.otheruniversalism
dc.subject.otherRomanticism
dc.subject.othertranslation
dc.titleChapter Genio nazionale versus gusto universale. Baretti interprete e apologeta di Shakespeare nella polemica contro Voltaire
dc.typechapter
oapen.identifier.doi10.36253/979-12-215-0448-4.08
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9791221504484
oapen.pages13
oapen.place.publicationFlorence
dc.seriesnumber48
dc.abstractotherlanguageIn the last decades of the eighteenth century, Voltaire sparked off a fierce debate on the merits and demerits of Shakespeare’s plays, to which Baretti responded with his Discours sur Shakespeare et sur M. de Voltaire. Defending the English playwright against the charges brought against him by the French philosopher, Baretti framed what would be a fundamental tension in the transition from the Age of Enlightenment to the Romantic Age: the question of universalism, understood in terms of the opposition between “universal taste” and “national genius”. In an argument remarkable for its profundity and breadth of reference, Baretti raises issues that are still topical today, such as the process of globalization and the desire to overcome cultural boundaries and achieve a homogenization of aesthetic taste, bringing a new urgency to the dialectic between the universal and the particular.


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