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dc.contributor.authorABBRI, FERDINANDO
dc.date.accessioned2025-12-02T09:56:56Z
dc.date.available2025-12-02T09:56:56Z
dc.date.issued2024
dc.date.submitted2024-12-20T12:32:32Z
dc.identifierONIX_20241220_9791221503197_146
dc.identifier2704-5919
dc.identifierhttps://library.oapen.org/handle/20.500.12657/96351
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/208404
dc.description.abstractIn the early modern era new scientific and philosophical conceptions revolutionized the established picture of culture, and marked a strong historical discontinuity. The essay focuses on the role played by artisans, alchemists, pharmacists, crafsmen in the formation of the new science, and on the impact of popular culture on the new philosophy. A specific attention is devoted to Giordano Bruno’s and Francis Bacon’s views relating to a new ideology of manual work, that was contrary to the traditional, contemplative knowledge. The essay demonstrates that the Scientific Revolution also produced the overthrow of the identification of mechanical, manual and productive arts with low, worthless human activities.
dc.languageItalian
dc.relation.ispartofseriesStudi e saggi
dc.rightsopen access
dc.subject.classificationthema EDItEUR::N History and Archaeology::NH History::NHB General and world history
dc.subject.othermechanical arts
dc.subject.otherScientific revolution
dc.subject.otherartisanal epistemology
dc.titleChapter Tecnica, lavoro, rivoluzione scientifica
dc.typechapter
oapen.identifier.doi10.36253/979-12-215-0319-7.56
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9791221503197
oapen.pages7
oapen.place.publicationFlorence
dc.seriesnumber257
dc.abstractotherlanguageIn the early modern era new scientific and philosophical conceptions revolutionized the established picture of culture, and marked a strong historical discontinuity. The essay focuses on the role played by artisans, alchemists, pharmacists, crafsmen in the formation of the new science, and on the impact of popular culture on the new philosophy. A specific attention is devoted to Giordano Bruno’s and Francis Bacon’s views relating to a new ideology of manual work, that was contrary to the traditional, contemplative knowledge. The essay demonstrates that the Scientific Revolution also produced the overthrow of the identification of mechanical, manual and productive arts with low, worthless human activities.


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