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dc.contributor.authorVagn Lid, Tore
dc.contributor.authorIsraelson, Per
dc.contributor.authorRøssaak, Eivind
dc.contributor.authorKristian S. Rustad, Hans
dc.contributor.authorPérez, Elena
dc.contributor.authorFoyn Bruun, Ellen
dc.contributor.authorGuanio-Uluru, Lykke
dc.contributor.authorHagen Kjørholt, Ingvild
dc.contributor.authorHjorth, Ingeborg
dc.contributor.authorMüller, Insa
dc.contributor.authorHomlong Storeide, Anette
dc.contributor.authorSkjulstad, Synne
dc.contributor.authorEritsland, Ida
dc.contributor.authorUgelstad, Caroline
dc.contributor.authorØstby Sæther, Susanne
dc.contributor.authorStorstein Spilker, Hendrik
dc.contributor.authorKjus, Yngvar
dc.contributor.authorKiberg, Håvard
dc.contributor.authorLandsverk Hagen, Aina
dc.contributor.authorM. Tolstad, Ingrid
dc.contributor.authorBerge Lorenzen, Sara
dc.contributor.authorMarius Hylland, Ole
dc.contributor.authorKleppe, Bård
dc.contributor.authorBonde Thylstrup, Nanna
dc.contributor.authorHesselberth, Pepita
dc.contributor.editorOve Eliassen, Knut
dc.contributor.editorOgundipe, Anne
dc.contributor.editorPrytz, Øyvind
dc.date.accessioned2026-02-10T13:36:18Z
dc.date.available2026-02-10T13:36:18Z
dc.date.issued2022
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/208572
dc.languageNorwegian
dc.subject.classificationthema EDItEUR::A The Arts::AB The arts: general topics
dc.subject.classificationthema EDItEUR::U Computing and Information Technology::UB Information technology: general topics
dc.subject.classificationthema EDItEUR::A The Arts::AB The arts: general topics::ABK Forgery, falsification and theft of artworks
dc.subject.otherDigital aesthetics
dc.subject.otherCreative technologies
dc.subject.otherMedia art
dc.subject.otherCultural production
dc.subject.otherDigital practices
dc.subject.otherDesign studies
dc.subject.otherArt education
dc.subject.otherVisual culture
dc.subject.otherTechnology and art
dc.subject.otherCreativity
dc.titleEstetiske praksiser i den digitale produksjonens tidsalder
dc.typebook
oapen.abstract.otherlanguageDigital technologies and media platforms are fundamental to the arts and cultural field today, and they increasingly permeate more aspects of everyday life. Through sixteen articles by a range of Norwegian and international researchers, Aesthetic Practices in the Age of Digital Production examines how digitalization transforms and shapes the production, dissemination, and use of art and culture in contemporary society—and how aesthetic practices themselves explore, thematize, and problematize these processes of change. Aesthetic Practices in the Age of Digital Production offers a wide range of perspectives, concepts, and models that illuminate art and culture today. The articles discuss streaming concerts, Instagram poetry, mass digitization projects, cultural policy, hacking as an aesthetic practice, and the performing arts’ relationship with the digital. They also examine the use of social media in fashion, how cultural institutions change, digital mediation in the visual arts and at memorial sites, and—finally—the need to withdraw from the digital. Aesthetic Practices in the Age of Digital Production is the result of a research program initiated by the Norwegian Arts Council. The program has also received support from the Ministry of Culture and Equality.
oapen.identifier.doi10.55669/oa1405
oapen.relation.isPublishedBy95ac1378-484a-4e97-93fe-8adff524dc3a
oapen.relation.isbn9788245043501
oapen.pages608
oapen.place.publicationBergen


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