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Når musikken tek form

Om skapande praksisar i musikk

dc.contributor.authorSofia Ahvenniemi, Rebecka
dc.contributor.authorBarrett, Natasha
dc.contributor.authorBoksasp, Unni
dc.contributor.authorBorchgrevink, Hild
dc.contributor.authorBrøvig, Ragnhild
dc.contributor.authorGrydeland, Ivar
dc.contributor.authorHellqvist, Karin
dc.contributor.authorA.S. Holbrook, Ulf
dc.contributor.authorJohansson, Mats
dc.contributor.authorKjus, Yngvar
dc.contributor.authorKnudsen, Ragnhild
dc.contributor.authorMolde, Audun
dc.contributor.authorNystabakk, Solmund
dc.contributor.authorÅsmund Omholt, Per
dc.contributor.authorOpheim, Berit
dc.contributor.authorOsa, Tom
dc.contributor.authorRudi, Jøran
dc.contributor.authorJ.W. Thelle, Notto
dc.contributor.authorTveit, Anders
dc.contributor.authorWang, Solveig
dc.contributor.authorIsak Wærstad, Bernt
dc.contributor.editorNylund Hagen, Anja
dc.contributor.editorTorvanger Solberg, Ragnhild
dc.contributor.editorUberg Nærland, Torgeir
dc.contributor.editorFrancis Duch, Michael
dc.date.accessioned2026-02-10T13:38:24Z
dc.date.available2026-02-10T13:38:24Z
dc.date.issued2025
dc.identifier.urihttps://doab-dev.siscern.org/handle/20.500.12854/208604
dc.languageNorwegian
dc.subject.classificationthema EDItEUR::A The Arts::AV Music
dc.subject.classificationthema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology
dc.subject.classificationthema EDItEUR::A The Arts::AB The arts: general topics
dc.subject.otherMusic studies
dc.subject.otherComposition
dc.subject.otherCreative processes
dc.subject.otherAesthetics
dc.subject.otherSound analysis
dc.subject.otherMusical form
dc.subject.otherArtistic research
dc.subject.otherMusic pedagogy
dc.subject.otherPerformance
dc.subject.otherCultural expression
dc.titleNår musikken tek form
dc.title.alternativeOm skapande praksisar i musikk
dc.typebook
oapen.abstract.otherlanguageMusic is created for different purposes, in different spaces, by different actors, and in processes where a variety of methods, materials, technologies, and forms of dissemination are used. Creative practices may involve music as score or writing, music as recorded or live sound, or music as performing, improvised, embodied action. But what actually characterizes the ways music is created in Norway today? In twelve articles, When Music Takes Shape: On Creative Practices in Music investigates how and within what contexts music is composed, created, and produced today. In particular, three themes stand out across the creative music practices addressed: (i) development, expansion, and exploration of understandings and working methods, (ii) co-creation and collective creative processes, and (iii) music-technology practices. The articles study music both within and across different music fields, academic traditions, and genres, including folk music, improvisation, pop music, music technology, contemporary music, early music, score-based music, electroacoustic music, and post-acousmatic music. Detailed descriptions of working methods and compositional strategies are combined with studies and discussions that examine overarching perspectives on conceptual understandings, development trends, traditions, and cultural and societal conditions. When Music Takes Shape: On Creative Practices in Music stems from the research program Creative Practices in Music (2021–2024), initiated by the Norwegian Arts Council.
oapen.identifier.doi10.55669/oa4911
oapen.relation.isPublishedBy95ac1378-484a-4e97-93fe-8adff524dc3a
oapen.relation.isbn9788245047233
oapen.relation.isbn9788245047240
oapen.pages491
oapen.place.publicationBergen


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