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            The Neganthropocene 

            Stiegler, Bernard (2018)
            In the essays and lectures here titled Neganthropocene, Stiegler opens an entirely new front moving beyond the dead-end “banality” of the Anthropocene. Stiegler stakes out a battleplan to proceed beyond, indeed shrugging ...
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            Nanjing Lectures (2016-2019) 

            Stiegler, Bernard (2020)
            In this series of lectures, delivered at Nanjing University from 2016 to 2019, Bernard Stiegler rethinks the so-called Anthropocene in relation to philosophy’s failure to reckon with the manifold and indeed “cosmic” ...
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            Capital at the Brink 

            Leo, Jeffrey R. Di (2014)
            Capital at the Brink reveals the pervasiveness, destructiveness, and dominance of neoliberalism within American society and culture. The contributors to this collection also offer points of resistance to an ideology wherein, ...
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            Plastic Bodies: Rebuilding Sensation After Phenomenology 

            Sparrow, Tom (2015)
            Sensation is a concept with a conflicted philosophical history. It has found as many allies as enemies in nearly every camp from empiricism to poststructuralism. Polyvalent, with an uncertain referent, and often overshadowed ...
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            Remixing Persona 

            Amerika, Mark; Kim, Laura (2019)
            Remixing Persona: An Imaginary Digital Media Object from the Onto-Tales of the Digital Afterlife is comprised of two components: a visual manifesto that doubles as a theoretical e-reader and a work of music video art. In ...
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            Immediation II 

            Manning, Erin; Munster , Anna; Stavning Thomsen, Bodil Marie (2019)
            All “media-tion” stages and distributes real, embodied – that is, immediate, events. The concept of immediation entails that cultural, technical, aesthetic objects, subjects, and events can no longer be abstracted from the ...
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            Immediation I 

            Manning, Erin; Munster , Anna; Stavning Thomsen, Bodil Marie (2019)
            All “media-tion” stages and distributes real, embodied – that is, immediate, events. The concept of immediation entails that cultural, technical, aesthetic objects, subjects, and events can no longer be abstracted from the ...
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            The Rubble of Culture 

            Collings, David A. (2023)
            Humanity now faces the possibility that it will become extinct over the next few decades or so. This is not simply a reality about the biological fate of the species; it also raises the prospect of thought’s own extinction. ...
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            Más allá del derecho de autor 

            López Cuenca, Alberto; Bermúdez Dini, Renato (2022)
            On July 1, 2020, reforms to the Federal Copyright Act (LFDA, for its acronym in Spanish) entered into force in Mexico responding to the primarily economic requirements of the renewed free trade agreement with the United ...
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            Geological Filmmaking 

            Litvintseva, Sasha (2022)
            Every film image is geological. As a technical medium derived from the metals and minerals extracted from the earth, every moving image is materially embedded in the world it records. It is also temporally linked to the ...
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              This project received funding from the European Union’s Horizon 2020 research and innovation programme under grant agreement No 871069.

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