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            Steal This Classroom 

            Cohen, Jody; Dalke, Anne (2019)
            Jody Cohen and Anne Dalke construe “classrooms” as testing grounds, paradoxically boxed-in spaces that cannot keep their promise to enclose, categorize, or name. Exploring what is usually left out can create conditions ...
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            Ravish the Republic: The Archives of The Iron Garters Crime/Art Collective 

            Berger, Michael L. (2015)
            In the 2011 book Dark Matter: Art and Politics in the Age of Enterprise Culture, the artist Gregory Sholette posits that we are living in an era of surplus creative energies concentrated in a teeming archive of artists, ...
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            Truth and Fiction: Notes on (Exceptional) Faith in Art 

            Manchevski, Milcho (2012)
            Reflecting upon his experience making his 2010 feature film Mothers, a cinematic triptych interweaving three narratives that are each, in their own way, about the often tenuous lines between truth and fiction, and one of ...
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            Men in Aïda 

            Melnick, David J. (2014)
            David J. Melnick published the first book of Men in Aida, a homophonic, but also homoeroticized translation of Homer’s epic Iliad, in December 1983 in an edition of 450 at Tuumba Press. After appearing in many guises and ...
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            The Dream-Slaves 

            Scott, Darieck (2024)
            To fight the gods—you must first become a slave. Our universe is dead. All that’s left are memories. But the powers indigenous to the new world are fighting back. Alexander, a handsome immigrant fleeing trouble in his poor ...
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            Critique of Fantasy, Vol. 3 

            Rickels, Laurence A. (2021)
            "In The Block of Fame, Edmund Bergler, like the thirteenth fairy in the “Sleeping Beauty,“ uninvited because there wasn’t an extra place setting, crashes the psychoanalytic poetics of daydreaming with a curse. He charges ...
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            Truth and Fiction: Notes on (Exceptional) Faith in Art 

            Manchevski, Milcho (2012)
            Reflecting upon his experience making his 2010 feature film Mothers, a cinematic triptych interweaving three narratives that are each, in their own way, about the often tenuous lines between truth and fiction, and one of ...
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            Kill Boxes: Facing the Legacy of US-Sponsored Torture, Indefinite Detention, and Drone Warfare 

            Weber, Elisabeth (2017)
            Kill Boxes addresses the legacy of US-sponsored torture, indefinite detention, and drone warfare by deciphering the shocks of recognition that humanistic and artistic responses to violence bring to consciousness if readers ...
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            To Be, or Not to Be: Paraphrased 

            Rosenbridge, Bardsley (2016)
            To Be, or Not to Be: Paraphrased is an expanding deconstruction of Hamlet’s famous existential question, achieved by putting the line through paraphrasing software 50 times. With each permutation, the quotation grows longer ...
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            Signs of the Great Refusal 

            Siegel, Tedd (2023)
            In recent years, developed countries have seen the rise of discussions concerning "the problem with work today." Since this literature tends to reflect the frustrations of the professional–managerial class (as well as other ...
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              This project received funding from the European Union’s Horizon 2020 research and innovation programme under grant agreement No 871069.

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