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            Apocalyptic Imaginings 

            John Lynch; Alexander Darius Ornella; Teemu Taira; Russell C. Powell; David S. Dalton; Javier Campos Calvo-Sotelo; Bina Nir; Jennifer Woodward; Stephanie Bender (2019)
            The thematic section of this issue of JRFM deals with apocalyptic imaginings in literature and film. The articles address issues such as authority, authenticity, belief, imagining social futures, and art as social laboratory. ...
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            Drawn Stories, Moving Images. Comic Books and their Screen Adaptations 

            Simon Philipp Born; Christian Wessely; Toufic Ishaya El-Khoury; Frank G. Bosman; Daria Pezzoli-Olgiati; Alexander D. Ornella; Ken Derry; Baldassare Scolari; Theresia Heimerl; Michael R. Heim; Thomas Hausmanninger (2017)
            The comic transcends the merely entertaining, and fans of comics become engaged and invested in the field through a range of activities. Major cities host regular comic conventions, attracting hundreds of thousands of ...
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            In Search of the Human. The Work of the Dardenne Brothers 

            Sofia Sjö; Alexander Darius Ornella; Christian Wessely; Stefanie Knauss; Isabella Guanzini; Walter Lesch; Alyda Faber; Marie-Therese Mäder (2016)
            Close-ups of human faces and hands, shots that are anchored around human individuals, with landscapes or cityscapes only present in so far as they represent the environment in which these individuals live and act, a camera ...
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            Religion and Popular Music 

            Natalie Fritz; Lavinia Pflugfelder; Simon Philipp Born; Sofia Sjö; Reinhard Kopanski; Anna-Katharina Höpflinger; Andre L. Price; Angela Sue Sawyer; Jade Weimer; Eva Meienberg; Yannick Schlote; Katharina Luise Merkert (2020)
            The interactions between popular music and religion are manyfold and highly complex. Popular music as an important part of popular culture is a means of communication. Music can transmit not only emotions and a sense of ...
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            Science-Fiction Movies and Religion 

            Natalie Fritz; Daria Pezzoli-Olgiati; Bina Nir; James Lorenz; Joel Mayward; Kerry San Chirico; Elie Yazbek; Kathrin Trattner; René Erwich; Hannah Griese; Stefanie Knauss; Marie-Therese Mäder (2020)
            In science fiction films, we explore remote universes and use yet unknown technologies – the world as we know it is left behind. But although the technical devices in these films are impressive and the science advances in ...
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            Thinking Methods in Media and Religion 

            Natalie Fritz; Bärbel Beinhauer-Köhler; Roger Odin; Christian Wessely; Daria Pezzoli-Olgiati; Sigrid Schade; Anna-Katharina Höpflinger; Mia Lövheim; Marie-Therese Mäder (2015)
            Inspired by a workshop held at the University of Zurich in November 2014, we inaugurate the Journal for Religion, Film and Media (JRFM) with a special issue dedicated to methodology. The field of media and religion is ...
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            Understanding Jesus in the Early Modern Period and Beyond. Across Text and Other Media 

            Miriam Benfatto; Daria Pezzoli-Olgiati; Milja Radovic; Matthew H. Brittingham; Isabella Bruckner; Stefanie Knauss; Paola von Wyss-Giacosa; Nicola Martellozzo; James Lorenz; Cristiana Facchini; Daniel Barbu (2019)
            This thematic issue seeks to provide a more nuanced and more complicated history of how historical narratives about the life of Jesus were produced and circulated in European culture. The focus on media is one of the most ...
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            Trauma, Memory and Religion 

            Natalie Fritz; Hessel Jan Zondag; Daria Pezzoli-Olgiati; Stefanie Knauss; Vaughan S Roberts; Verena Marie Eberhardt; Lucien M. van Liere; Gerwin van der Pol; Jacob Given; Freek L. Bakker (2018)
            How can we screen trauma? This question might lead the perception of documentary films about atrocities in the 20th and 21st centuries, like S21 THE KHMER ROUGE KILLING MACHINE (Rithy Panh, CAMB/FR 2003) about Cambodia, ...
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            Film Farbe Fläche. 

            Rakin, Jelena (2020)
            Die nachträgliche Kolorierung des schwarzweißen Materials war in der Stummfilmepoche eine verbreitete Praxis. Die Filme wurden hand- oder schablonenkoloriert, viragiert und getont. Die häufig ostentativ ausgestellte ...
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            Act Two. What Makes Popular Christian Music “Popular”?. A Comparison Between Current US-American Contemporary Christian Music and German Popular Christian Music Using the Examples of Lauren Daigle and Koenige & Priester 

            Reinhard Kopanski (2020)
            The article discusses the question “What makes Popular Christian Music ‘popular’?” by applying different (competing) concepts of the term “popular” so as to showcase by which criteria Popular Christian Music (labelled as ...
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              This project received funding from the European Union’s Horizon 2020 research and innovation programme under grant agreement No 871069.

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