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            Film Review FIRST REFORMED (Paul Schrader, US 2017) 

            James Lorenz (2019)
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            Game Review: Samorost 3 (Amanita Design, 2016) 

            Christian Wessely (2017)
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            Apocalypse as critical dystopia in modern popular music 

            Javier Campos Calvo-Sotelo (2019)
            The last book of the New Testament has inspired countless narratives and cultural productions. In the realm of popular music the Apocalypse was embraced as synonymous of imminent catastrophe, generating a dystopian discourse. ...
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            Approaching Religious Symbols in the Public Space: Contemporary Art and Museums as Places of Negotiation? 

            Daria Pezzoli-Olgiati (2015)
            This essay responds to Sigrid Schade’s contribution by outlining the multilayered meaning-making processes deployed by the use of religious symbolism in visual culture. Referring in a concise way to a selected example of ...
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            Charivari or the Historicising of a Question. The Irrelevance of Romantic Love for the Audio-Visual Performance of Marriage in Bern in the 18th and 19th Century 

            Arno Haldemann (2018)
            Citing Oscar Wilde, the editors of this volume ask the question “who, being loved, is poor?” in their call for papers. On a meta-theoretical level, this article aims at contextualising this question and its citation socially. ...
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            Editorial: The Relevance of Comics and their Screen Adaptations 

            Christian Wessely; Alexander D. Ornella (2017)
            Editorial of JRFM 2017, 3/1 : Drawn Stories, Moving Images. Comic Books and their Screen Adaptations
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            Editorial: Thinking Methods in Media and Religion 

            Daria Pezzoli-Olgiati; Marie-Therese Mäder (2015)
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            Film review: ON BODY AND SOUL (Ildikó Enyedi). HU 2017 

            Charles Martig (2017)
            Interview with Ildikó Enyedi, directrice of ON BODY AND SOUL (HU 2017)
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            Festival Review: 72nd Festival de Cannes. Finding Faith in Film 

            Joel Mayward (2019)
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            Film Review: Mother! (Darren Aronofsky, US 2017) 

            Jacob Given (2018)
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              This project received funding from the European Union’s Horizon 2020 research and innovation programme under grant agreement No 871069.

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