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dc.contributor.authorSmall, William
dc.date.accessioned2021-02-10T12:58:51Z
dc.date.available2021-02-10T12:58:51Z
dc.date.issued1983
dc.date.submitted2020-06-23T07:41:10Z
dc.identifierONIX_20200623_9781469656816_99
dc.identifierhttps://library.oapen.org/handle/20.500.12657/39851
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/26064
dc.description.abstractCritics have long regarded Rilke's "Aufzeichnungen des Malte Laurids Brigge" as the first novel in the German language to express in both form and content the artistic direction of the twentieth century. The text's unique form and intricately woven pattern of personal, historical, and literary figures and events have often eluded casual readers and scholars alike. They are nonetheless of great significance to the complex mosaic of themes and motifs which together constitute the artistic unity of the novel. These facts, figures and events correspond for the most part to their respective sources; through Malte's eyes, however, they assume a new perspective that removes them from their historical and personal context and creates a view of the world which is essentially unhistorical and Rilkean in nature. This volume provides the reader with insight into the figures and events referenced in Rilke's novel, as well as an appendix with letters, poems and photographs that provide further historical and literary context.
dc.languageGerman
dc.relation.ispartofseriesUNC Studies in the Germanic Languages and Literatures
dc.rightsopen access
dc.subject.otherGerman Studies
dc.subject.otherLiterature
dc.subject.otherthema EDItEUR::F Fiction and Related items
dc.titleRilke—Kommentar zu den "Aufzeichnungen des Malte Laurids Brigge"
dc.typebook
oapen.identifier.doi10.5149/9781469656816_Small
oapen.relation.isPublishedByf46e5319-8d09-4c63-b9f2-a13480694ab4
oapen.relation.isFundedByNational Endowment for the Humanities
oapen.relation.isFundedByAndrew W. Mellon Foundation
oapen.relation.isFundedBy0314e571-4102-4526-b014-3ed8f2d6750a
oapen.relation.isFundedBy0cdc3d7c-5c59-49ed-9dba-ad641acd8fd1
oapen.pages194
oapen.place.publicationChapel Hill
oapen.grant.number[grantnumber unknown]
oapen.grant.number[grantnumber unknown]
oapen.grant.programHumanities Open Book Program
oapen.grant.programHumanities Open Book Program
dc.relationisFundedBy0314e571-4102-4526-b014-3ed8f2d6750a
dc.relationisFundedBy0cdc3d7c-5c59-49ed-9dba-ad641acd8fd1
dc.seriesnumber101
dc.abstractotherlanguageCritics have long regarded Rilke's "Aufzeichnungen des Malte Laurids Brigge" as the first novel in the German language to express in both form and content the artistic direction of the twentieth century. The text's unique form and intricately woven pattern of personal, historical, and literary figures and events have often eluded casual readers and scholars alike. They are nonetheless of great significance to the complex mosaic of themes and motifs which together constitute the artistic unity of the novel. These facts, figures and events correspond for the most part to their respective sources; through Malte's eyes, however, they assume a new perspective that removes them from their historical and personal context and creates a view of the world which is essentially unhistorical and Rilkean in nature. This volume provides the reader with insight into the figures and events referenced in Rilke's novel, as well as an appendix with letters, poems and photographs that provide further historical and literary context.


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