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dc.contributor.authorHrncal, Christine
dc.date.accessioned2021-02-10T13:03:17Z
dc.date.available2021-02-10T13:03:17Z
dc.date.issued2020
dc.date.submitted2020-08-06T14:30:44Z
dc.identifierONIX_20200806_9783110664546_7
dc.identifier2198-8676
dc.identifierhttps://library.oapen.org/handle/20.500.12657/41222
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/26470
dc.description.abstractThis study inquires into the specific forms of critical interaction that occur in conversations during intermissions in the theater lobby. Using conversational analysis, it reconstructs how the assessments shared during these interactions impact audience members’ attitudes to the content of the theater piece. The book adds to our understanding of the little-studied area of non-professional private communication about performative art.
dc.languageGerman
dc.relation.ispartofseriesEmpirische Linguistik / Empirical Linguistics
dc.rightsopen access
dc.subject.otherEvaluation
dc.subject.otheraudience communication
dc.subject.otherart communication
dc.subject.othertheater
dc.subject.otherthema EDItEUR::C Language and Linguistics::CF Linguistics
dc.subject.otherthema EDItEUR::C Language and Linguistics::CF Linguistics::CFX Computational and corpus linguistics
dc.subject.otherthema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTC Communication studies
dc.titleBewertungsinteraktionen in der Theaterpause
dc.title.alternativeEine gesprächsanalytische Untersuchung von Pausengesprächen im Theaterfoyer
dc.typebook
oapen.identifier.doi10.1515/9783110664546
oapen.relation.isPublishedByaf2fbfcc-ee87-43d8-a035-afb9d7eef6a5
oapen.relation.isFundedBybbfa547e-3d7d-44d0-b10a-864552cdcc36
oapen.imprintDe Gruyter
oapen.pages307
oapen.place.publicationBerlin/Boston
oapen.grant.number[grantnumber unknown]
dc.relationisFundedBybbfa547e-3d7d-44d0-b10a-864552cdcc36
dc.seriesnumber11
dc.abstractotherlanguageThis study inquires into the specific forms of critical interaction that occur in conversations during intermissions in the theater lobby. Using conversational analysis, it reconstructs how the assessments shared during these interactions impact audience members’ attitudes to the content of the theater piece. The book adds to our understanding of the little-studied area of non-professional private communication about performative art.


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