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dc.contributor.editorGvozdeva, Katja
dc.contributor.editorKorneeva, Tatiana
dc.contributor.editorOspovat, Kirill
dc.date.accessioned2021-02-10T12:58:18Z
dc.date.issued2017
dc.date.submitted2018-09-07 23:55
dc.date.submitted2019-03-14 11:11:18
dc.date.submitted2020-04-01T12:29:31Z
dc.identifier1000445
dc.identifierOCN: 1076651285
dc.identifier2211-341X
dc.identifierhttp://library.oapen.org/handle/20.500.12657/29491
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/26624
dc.description.abstractThe authors explore the convergence of dramatic theory, theatrical practice, and various modes of audience experience that contributed to the emergence of ‘public sphere(s)’ across early modern Europe — and in Asia.
dc.languageEnglish
dc.relation.ispartofseriesDrama and Theatre in Early Modern Europe
dc.rightsopen access
dc.subject.otherhistory
dc.subject.otherdrama
dc.subject.otherthema EDItEUR::N History and Archaeology::NH History
dc.titleDramatic Experience
dc.title.alternativeThe Poetics of Drama and the Early Modern Public Sphere(s)
dc.typebook
oapen.identifier.doi10.1163/9789004329768
oapen.relation.isPublishedBy33fecb33-e7c4-4fc8-96b0-7ba2fccafba9
oapen.relation.isFundedByFP7 Ideas: European Research Council
oapen.relation.isFundedBy7292b17b-f01a-4016-94d3-d7fb5ef9fb79
oapen.relation.isbn9789004329751
oapen.collectionEuropean Research Council (ERC)
oapen.pages327
oapen.place.publicationLeiden; Boston
oapen.grant.number246603
oapen.grant.programFP7
dc.relationisFundedBy7292b17b-f01a-4016-94d3-d7fb5ef9fb79
dc.seriesnumber6


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Except where otherwise noted, this item's license is described as open access