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dc.contributor.authorIsler-Kerényi, Cornelia
dc.date.accessioned2021-02-10T12:58:18Z
dc.date.issued2014-11-14
dc.date.submitted2019-08-08 23:55
dc.date.submitted2020-03-27 03:00:28
dc.date.submitted2020-04-01T10:11:26Z
dc.identifier1005258
dc.identifierOCN: 897509022
dc.identifier0927-7633
dc.identifierhttp://library.oapen.org/handle/20.500.12657/24844
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/26767
dc.description.abstract"Dionysos, with his following of satyrs and women, was a major theme in a big part of the figure painted pottery in 500-300 B.C. Athens. As an original testimonial of their time, the imagery on these vases convey what this god meant to his worshippers. It becomes clear that he was not only appropriate for wine, wine indulgence, ecstasy and theatre. Rather, he was presenton many, both happy and sad, occasions. The vase painters have emphasized different aspects of Dionysos for their customers inside and outside of Athens, depending on the political and cultural situation."
dc.languageEnglish
dc.relation.ispartofseries69e6382a-5c20-4709-a70c-08a6e5f415db
dc.relation.ispartofseriesReligions in the Graeco-Roman World
dc.rightsopen access
dc.subject.otherClassics
dc.subject.otherthema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRA Religion: general::QRAX History of religion
dc.titleDionysos in Classical Athens
dc.title.alternativeAn Understanding through Images
dc.typebook
oapen.identifier.doi10.1163/9789004270121
oapen.relation.isPublishedBy33fecb33-e7c4-4fc8-96b0-7ba2fccafba9
oapen.relation.isFundedByKnowledge Unlatched
oapen.relation.isFundedByb818ba9d-2dd9-4fd7-a364-7f305aef7ee9
oapen.relation.isbn9789004270121
oapen.collectionKnowledge Unlatched (KU)
oapen.grant.number102231
oapen.grant.programKU Select 2018: HSS Backlist Books
dc.number102231
dc.relationisFundedByb818ba9d-2dd9-4fd7-a364-7f305aef7ee9


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