Unless As Stone Is
| dc.contributor.author | Lohmann, Sam | |
| dc.date.accessioned | 2021-02-10T12:58:18Z | |
| dc.date.issued | 2014 | |
| dc.date.submitted | 2019-03-26 23:55 | |
| dc.date.submitted | 2020-01-23 14:09:07 | |
| dc.date.submitted | 2020-04-01T10:43:20Z | |
| dc.identifier | 1004536 | |
| dc.identifier | OCN: 945782608 | |
| dc.identifier | http://library.oapen.org/handle/20.500.12657/25559 | |
| dc.identifier.uri | https://directory.doabooks.org/handle/20.500.12854/27338 | |
| dc.description.abstract | The sestina is a form in which words repeat regularly, intricately, appearing and reappearing in new contexts with new meanings. Sam Lohmann’s Unless As Stone Is emerged from a few years of living with Dante’s sestina, “Al poco giorno e al gran cerchio d’ombra.” He allowed the text to appear in its own new — if irregularly scheduled — contexts. New translations, new scenery, new meanings; new phrases entered the poem (from García Lorca, from Sappho, from strangers and from loved ones) and found their own patterns. What resulted is a serial poem in seven movements, incorporating several strategies of reincorporation. “Quandunque i colli fanno più nera ombra” — “All our oddity operates / on changing verity.” | |
| dc.language | English | |
| dc.rights | open access | |
| dc.subject.other | poetry | |
| dc.subject.other | Dante | |
| dc.subject.other | sestina | |
| dc.subject.other | adaptation | |
| dc.subject.other | thema EDItEUR::D Biography, Literature and Literary studies::DC Poetry::DCF Poetry by individual poets | |
| dc.title | Unless As Stone Is | |
| dc.type | book | |
| oapen.identifier.doi | 10.21983/P3.0058.1.00 | |
| oapen.relation.isPublishedBy | 12970da4-0116-4486-b8be-fc9756703ab1 | |
| oapen.relation.isbn | 9780615983929 | |
| oapen.collection | ScholarLed | |
| oapen.pages | 40 | |
| oapen.place.publication | Brooklyn, NY |
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