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dc.contributor.authorCraig, Charlotte
dc.date.accessioned2021-02-10T13:13:18Z
dc.date.available2021-02-10T13:13:18Z
dc.date.issued1970
dc.date.submitted2020-06-23T07:37:16Z
dc.identifierONIX_20200623_9781469657301_62
dc.identifierhttps://library.oapen.org/handle/20.500.12657/39814
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/27359
dc.description.abstractIn this study the extent to which Wieland contributed to the literary genre of the travesty is established, the poet's approach to his sources as well as the nature and duality of his innovations are investigated, and the level and distribution of his travesties in relationship to the sum total of his literary work in general is appraised.
dc.languageEnglish
dc.relation.ispartofseriesUNC Studies in the Germanic Languages and Literatures
dc.rightsopen access
dc.subject.otherGerman Studies
dc.subject.otherLiterature
dc.subject.otherthema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
dc.titleChristoph Martin Wieland as the Originator of Modern Travesty in German Literature
dc.typebook
oapen.identifier.doi10.5149/9781469657301_Craig
oapen.relation.isPublishedByf46e5319-8d09-4c63-b9f2-a13480694ab4
oapen.relation.isFundedByNational Endowment for the Humanities
oapen.relation.isFundedByAndrew W. Mellon Foundation
oapen.relation.isFundedBy0314e571-4102-4526-b014-3ed8f2d6750a
oapen.relation.isFundedBy0cdc3d7c-5c59-49ed-9dba-ad641acd8fd1
oapen.pages160
oapen.place.publicationChapel Hill
oapen.grant.number[grantnumber unknown]
oapen.grant.number[grantnumber unknown]
oapen.grant.programHumanities Open Book Program
oapen.grant.programHumanities Open Book Program
dc.relationisFundedBy0314e571-4102-4526-b014-3ed8f2d6750a
dc.relationisFundedBy0cdc3d7c-5c59-49ed-9dba-ad641acd8fd1
dc.seriesnumber64


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