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dc.contributor.editorChateau, Dominique
dc.contributor.editorMoure, José
dc.date.accessioned2021-02-10T13:27:52Z
dc.date.available2021-02-10T13:27:52Z
dc.date.issued2020
dc.date.submitted2020-10-02T14:46:37Z
dc.identifierhttps://library.oapen.org/handle/20.500.12657/42407
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/28872
dc.description.abstractThis volume explores new ways of considering, experiencing and making films in a time of technological transition. It brings together an international group of scholars and artists from a variety of countries, who speak different languages and come from different cultural and disciplinary backgrounds.
dc.languageEnglish
dc.relation.ispartofseriesThe Key Debates: Mutations and Appropriations in European Film Studies
dc.rightsopen access
dc.subject.otherfilm, contemporary art, media, aesthetics, dispositif
dc.subject.otherthema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema
dc.subject.otherthema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies
dc.titlePost-cinema
dc.title.alternativeCinema in the Post-art Era
dc.typebook
oapen.relation.isPublishedByde2ecbe7-1037-4e96-8c3a-5a842d921e04
oapen.pages377
oapen.place.publicationAmsterdam


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open access
Except where otherwise noted, this item's license is described as open access