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dc.contributor.authorSibley, Clinnesha D.
dc.date.accessioned2021-02-10T13:32:56Z
dc.date.available2021-02-10T13:32:56Z
dc.date.issued2016
dc.date.submitted2020-08-20T13:58:40Z
dc.identifierhttps://library.oapen.org/handle/20.500.12657/41362
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/29490
dc.description.abstractBlack Acting Methods seeks to offer alternatives to the Euro-American performance styles that many actors find themselves working with.  A wealth of contributions from directors, scholars and actor trainers address afrocentric processes and aesthetics, and interviews with key figures in Black American theatre illuminate their methods. This ground-breaking collection is an essential resource for teachers, students, actors and directors seeking to reclaim, reaffirm or even redefine the role and contributions of Black culture in theatre arts.
dc.languageEnglish
dc.rightsopen access
dc.subject.otherAfrican American
dc.subject.otherafrocentricity
dc.subject.otherblackness
dc.subject.otherdiaspora
dc.subject.otherdickerson
dc.subject.otherhendricks
dc.titleChapter 7 Remembering, rewriting and re-imagining: Afrocentric approaches to directing new work for the theatre
dc.typechapter
oapen.identifier.doi10.4324/9781315694986
oapen.relation.isPublishedByfa69b019-f4ee-4979-8d42-c6b6c476b5f0
oapen.relation.isPartOfBookBlack Acting Methods
oapen.relation.isPartOfBook5d1d3529-8ea9-4e7b-a88b-f8fd0ff0eb35
oapen.relation.isbn9781138907638


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