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dc.contributor.authorWeiland, Gudrun
dc.date.accessioned2021-02-10T12:58:18Z
dc.date.issued2017
dc.date.submitted2020-04-15T02:44:59Z
dc.identifierhttp://library.oapen.org/handle/20.500.12657/37159
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/29719
dc.description.abstractBy the 1920s and early 1930s the dime novel had already become well established as a medium for serial fiction and it developed innovative ways of shaping the temporality of literary communication: Recurring heroes made an appearance in more than one dime novel series at the same time, some even across media; publishers and writers found collective forms of text production not aiming to create one timeless work of art, but a continuous series of texts; readers learned to orient themselves with competing publishing schedules of different media and to comprehend the text world of a dime novel series by connecting a series of texts. The book deals with the question of how publishers, writers and readers shaped ‚seriality‘ in the process of creating the fictional worlds of dime novels.
dc.languageGerman
dc.rightsopen access
dc.subject.otherthema EDItEUR::C Language and Linguistics
dc.title"Von einem sensationellen Erlebnis zum anderen getrieben..."
dc.title.alternativeKriminalheftromane und die Zeitgestalt 'Serialität' in den 1920er und 1930er Jahren
dc.typebook
dc.typebook
oapen.identifier.doi10.17875/gup2017-1036
oapen.relation.isPublishedByaf9011e0-03b9-4a5c-9ae6-b9da4898d1b2


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open access
Except where otherwise noted, this item's license is described as open access