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dc.contributor.authorJoret, Blandine
dc.date.issued2019
dc.date.submitted2019-11-06 23:55
dc.date.submitted2020-03-27 15:48:21
dc.date.submitted2020-04-01T09:55:49Z
dc.identifier1005801
dc.identifierOCN: 1127654470
dc.identifierhttp://library.oapen.org/handle/20.500.12657/24330
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/31995
dc.description.abstractThe impact of French film critic André Bazin (1918-1958) on the development of film studies, though generally acknowledged, remains contested. A passionate initiator of film culture during his lifetime, his ideas have been challenged, defended and revived throughout his afterlife. Studying Film with André Bazin offers an entirely original interpretation of major concepts from Bazin’s legacy, such as auteur theory, realism, film language and the influence of film on other arts (poetry and painting in particular). By examining mostly unknown and uncollected texts, Blandine Joret explains Bazin’s methodology and adopts it in a contemporary reading, linking his ideas to major philosophical and scientific frameworks as well as more recent media practices such as advertising, CGI, 3D cinema and Virtual Reality. In tune with 21st-century concerns in media culture and film studies, this book addresses a wide readership of film scholars, students and cinephiles.
dc.languageEnglish
dc.relation.ispartofseriesFilm Theory in Media History
dc.rightsopen access
dc.subject.otherFilm
dc.subject.otherthema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
dc.subject.otherthema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFB Individual film directors, film-makers
dc.titleStudying Film with André Bazin
dc.typebook
oapen.identifier.doi10.2307/j.ctvrs8xh6
oapen.relation.isPublishedByde2ecbe7-1037-4e96-8c3a-5a842d921e04
oapen.relation.isbn9789048542086
oapen.pages209
oapen.place.publicationAmsterdam


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