Afficher la notice abrégée

dc.contributor.authorMoseley, Roger
dc.date.accessioned2021-02-10T14:32:01Z
dc.date.available2021-02-10T14:32:01Z
dc.date.issued2016
dc.date.submitted2020-12-15T13:54:50Z
dc.identifierhttps://library.oapen.org/handle/20.500.12657/43746
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/36034
dc.description.abstractHow do keyboards make music playable? Drawing on theories of media, systems, and cultural techniques, Keys to Play spans Greek myth and contemporary Japanese digital games to chart a genealogy of musical play and its animation via improvisation, performance, and recreation. As a paradigmatic digital interface, the keyboard forms a field of play on which the book’s diverse objects of inquiry—from clavichords to PCs and eighteenth-century musical dice games to the latest rhythm-action titles—enter into analogical relations. Remapping the keyboard’s topography by way of Mozart and Super Mario, who head an expansive cast of historical and virtual actors, Keys to Play invites readers to unlock ludic dimensions of music that are at once old and new. “Keys to Play is full of novel ideas, provocative observations, and brilliant aperçus. Whether our interests lie in audiovisual media, aesthetics, performance, improvisation, compositional technique, notation, theory, or historiography, Moseley shows us how much the field at large has to gain from taking play seriously. In a word: stunning.” -ALEXANDER REHDING, Harvard University “Moseley’s game-changing book puts a new and versatile set of tools at our disposal. Wonderfully allusive and erudite, Keys to Play will open new horizons for music scholars of all kinds.” -ELISABETH LE GUIN, University of California, Los Angeles “A dazzling and daring book: an intellectual symphony, a virtuosic boss run, a vigorous expedition in media-musical archaeology, and an exquisite love letter to the vitality of interdisciplinary play.” -WILLIAM CHENG, author of Sound Play: Video Games and the Musical Imagination “Keys to Play offers a new approach to central episodes in the narrative of European art music refracted through histories of the keyboard, digital games, and improvisation. It is at once provocative, bracing and, yes, profoundly playful.” -BENJAMIN WALTON, University of Cambridge ROGER MOSELEY is Assistant Professor of Music at Cornell University.
dc.languageEnglish
dc.rightsopen access
dc.subject.otherSocial Science
dc.subject.otherMedia Studies
dc.subject.otherMusic
dc.subject.otherGeneral
dc.subject.otherthema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies
dc.subject.otherthema EDItEUR::A The Arts::AV Music
dc.titleKeys to Play
dc.title.alternativeMusic as a Ludic Medium from Apollo to Nintendo
dc.typebook
oapen.identifier.doihttps://doi.org/10.1525/luminos.16
oapen.relation.isPublishedBy19856893-4bf2-4e3e-9137-c7692d64e4c1
oapen.relation.isFundedByKnowledge Unlatched
oapen.relation.isbn9780520965096
oapen.collectionKnowledge Unlatched (KU)
oapen.imprintUniversity of California Press
dc.relationisFundedByb818ba9d-2dd9-4fd7-a364-7f305aef7ee9


Fichier(s) constituant ce document

FichiersTailleFormatVue

Il n'y a pas de fichiers associés à ce document.

Ce document figure dans la(les) collection(s) suivante(s)

Afficher la notice abrégée

open access
Excepté là où spécifié autrement, la license de ce document est décrite en tant que open access