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dc.contributor.authorNanz, Tobias*
dc.contributor.authorPause, Johannes*
dc.contributor.authorKoch, Lars*
dc.date.accessioned2021-02-11T11:34:32Z
dc.date.available2021-02-11T11:34:32Z
dc.date.issued2018*
dc.date.submitted2019-11-06 16:06:17*
dc.identifier38439*
dc.identifier.issn21947104*
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/45277
dc.description.abstractThe volume examines aesthetic disruptions within the various arts in contemporary culture. It assumes that the political potential of art is not solely derived from presenting its audiences with openly political content. Rather, it creates a space of perception and interaction using formal means, thus problematizing the self-evidence of hegemonic structures of communication.*
dc.languageEnglish*
dc.relation.ispartofseriesCulture & Conflict*
dc.subjectNX1-820*
dc.subject.classificationthema EDItEUR::A The Artsen_US
dc.subject.othersocietal self-description*
dc.subject.otherDisruption*
dc.subject.otherarts*
dc.titleDisruption in the Arts. Textual, Visual, and Performative Strategies for Analyzing Societal Self-Descriptions*
dc.typebook
oapen.identifier.doi10.1515/9783110580082*
oapen.relation.isPublishedByaf2fbfcc-ee87-43d8-a035-afb9d7eef6a5*
oapen.relation.isbn9783110580082*
oapen.pages396*
oapen.volume11*


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