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dc.contributor.authorGreve, Anna*
dc.date.accessioned2021-02-11T13:29:33Z
dc.date.available2021-02-11T13:29:33Z
dc.date.issued2013*
dc.date.submitted2016-08-11 12:46:28*
dc.identifier19478*
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/47419
dc.description.abstractFrom the 16th century to the 18th century skin colors have been stereotyped and stylized as essential characteristics of race. Color is of vital importance for artistic constructions of the body. This publication examines to what extent art has prepared the racist discourse by visual means and thus exercises structural violence. It is shown that the materialization of imaginary images contributes to the construction of difference in artworks.*
dc.languageGerman*
dc.subjectQC1-999*
dc.subject.classificationthema EDItEUR::P Mathematics and Science::PH Physicsen_US
dc.subject.otherMacht*
dc.subject.otherFarbe*
dc.subject.otherRassismus*
dc.subject.otherKörper*
dc.subject.otherWeißsein*
dc.titleFarbe - Macht - Körper : Kritische Weißseinsforschung in der europäischen Kunstgeschichte*
dc.typebook
oapen.identifier.doi10.5445/KSP/1000036143*
oapen.relation.isPublishedBy68fffc18-8f7b-44fa-ac7e-0b7d7d979bd2*
oapen.relation.isbn9783731500896*
oapen.pages330 p.*
peerreview.review.typeFull text
peerreview.anonymityAll identities known
peerreview.reviewer.typeInternal editor
peerreview.reviewer.typeExternal peer reviewer
peerreview.review.stagePre-publication
peerreview.open.reviewNo
peerreview.publish.responsibilityScientific or Editorial Board
peerreview.id8ad5c235-9810-49eb-b358-27c8675324d9
peerreview.titleDissertations (Dissertationen)


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