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dc.contributor.authorWegener, Lydia*
dc.contributor.authorRothenberger, Eva*
dc.date.accessioned2021-02-11T18:46:44Z
dc.date.available2021-02-11T18:46:44Z
dc.date.issued2017*
dc.date.submitted2017-08-28 15:25:40*
dc.identifier23494*
dc.identifier.issn2367-0320*
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/52753
dc.description.abstractMarian hymns and sequences occupy a central place in the history of sacred song. Alongside Latin poetry, starting from the early Middle Ages, there were also vernacular translations, which adapted, modified, and transformed the image of Mary from their original models. The conference volume assembles a broad range of interdisciplinary papers that examine these processes of reformulation and appropriation.*
dc.languageGerman*
dc.relation.ispartofseriesLiturgie und Volkssprache. Studien zur Rezeption und Produktion geistlicher Lieder in Mittelalter und Früher Neuzeit*
dc.subjectNX440-632*
dc.subjectPT1-4897*
dc.subjectBV1-5099*
dc.subject.classificationthema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of arten_US
dc.subject.otherliturgy*
dc.subject.otherPoetics*
dc.subject.otherpiety*
dc.titleMaria in Hymnus und Sequenz. Interdisziplinäre mediävistische Perspektiven*
dc.typebook
oapen.identifier.doi10.1515/9783110475371*
oapen.relation.isPublishedByaf2fbfcc-ee87-43d8-a035-afb9d7eef6a5*
oapen.relation.isbn9783110475371*
oapen.pagesxi, 468*
oapen.volume1*
oapen.edition1*


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