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            • Religion and Popular Music
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            Chapters in this book

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            Act Two. What Makes Popular Christian Music “Popular”?. A Comparison Between Current US-American Contemporary Christian Music and German Popular Christian Music Using the Examples of Lauren Daigle and Koenige & Priester 

            Reinhard Kopanski (2020)
            The article discusses the question “What makes Popular Christian Music ‘popular’?” by applying different (competing) concepts of the term “popular” so as to showcase by which criteria Popular Christian Music (labelled as ...
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            Act Three. Heavy Metal Bricolage. Religious Imagery and “Religionized” Visual Language in Music Videos 

            Lavinia Pflugfelder (2020)
            Popular music’s use of visual media makes its listeners also its viewers. From concert posters, tickets stubs and stage design to music videos, CD covers and clothes, material visual products are utilized by bands and fans ...
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            Act One. Comfort the Waste Places, Defend the Violated Earth. An Ecofeminist Reading of Isaiah 51:1-52:6 and Tracy Chapman's "The Rape of the World". 

            Angela Sue Sawyer (2020)
            This paper compares the personification of Zion in Isaiah 51:1–52:6 as a mother and daughter with Tracy Chapman's 1995 song "The rape of the world" where the earth is portrayed as mother. I will explore the use of rape ...
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            Game Review. Pamali: Indonesian Folklore Horror (StoryTale Studios) 

            Kathrin Trattner (2020)
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            The End of Desire 

            James Lorenz (2020)
            This article explores the soteriological significance of desire in Сталкер (STALKER, Andrei Tarkovsky, RU 1979). At the heart of the film, deep within a paranormal and psychosomatic frontier called the Zone, is a space ...
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              This project received funding from the European Union’s Horizon 2020 research and innovation programme under grant agreement No 871069.

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