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dc.contributor.authorNatalie Fritz*
dc.contributor.authorBärbel Beinhauer-Köhler*
dc.contributor.authorRoger Odin*
dc.contributor.authorChristian Wessely*
dc.contributor.authorDaria Pezzoli-Olgiati*
dc.contributor.authorSigrid Schade*
dc.contributor.authorAnna-Katharina Höpflinger*
dc.contributor.authorMia Lövheim*
dc.contributor.authorMarie-Therese Mäder*
dc.date.accessioned2021-02-12T05:53:17Z
dc.date.available2021-02-12T05:53:17Z
dc.date.issued2015*
dc.date.submitted2020-08-27 11:22:58*
dc.identifier46800*
dc.identifier.issn2414-0201*
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/60892
dc.description.abstractInspired by a workshop held at the University of Zurich in November 2014, we inaugurate the Journal for Religion, Film and Media (JRFM) with a special issue dedicated to methodology. The field of media and religion is characterised by a multitude of approaches to both religion and media. The choice of communication paradigms and analytical procedures to be used in an investigation of the intertwined relationship of religion and media depends on the sources, the questions we seek to answer and the cultural context. This issue of JRFM presents a range of methodological procedures by highlighting three selected communication models: the first part considers a model that defines communication as an overlap of spaces that mediates meaning-making processes; the second part looks at the employment of a gender lens for investigation of the relationship between media and religion; the final part analyses the interaction between media and religion in the context of various contemporary art productions. While these models have been drawn from a broad range of possible topics, those selected share a common concern: they involve reflection on methodological steps used to analyse interactions always characterised by non-linear and multi-causal relations. Each of the three main sections contains a key article and two responses, with the methodological questions addressed by invited contributors commented upon, discussed critically and developed further by members of the mentioned research groups.*
dc.languageEnglish*
dc.relation.ispartofseriesJournal for Religion, Film and Media*
dc.subjectBL1-2790*
dc.subjectN1-9211*
dc.titleThinking Methods in Media and Religion*
dc.title.alternativeJournal for Religion, Film and Media*
dc.typebook
oapen.relation.isPublishedBy5b80c228-3393-4862-a8e9-6c35a63484f1*
oapen.relation.hasChapteraa9a1a35-f81c-4c2d-9d5f-0aec9f7b8b88
oapen.relation.hasChapterfdf4552d-0fd4-4616-ac03-8a904dd58af9
oapen.relation.hasChapter27d05729-5394-4888-83bc-b80d75e00ca9
oapen.relation.hasChapter37c0bc68-3051-4ae5-b11f-4c679f509cf3
oapen.relation.hasChapter4e2bcd31-d0d8-43aa-bec1-5b62294f6b7e
oapen.relation.hasChapter6c3bf73f-742c-458f-b072-f2c74c43fb21
oapen.relation.hasChapterc21eecf2-acc2-42b4-943f-fb773e230467
oapen.relation.hasChapter24625bb0-f8b9-49b1-81e6-8c161abb79f5
oapen.relation.hasChapter80509d2b-1b88-4771-8ed5-b82b7cdc37f3
oapen.relation.hasChapter4fc18c14-28e1-407a-a586-e67df567227d
oapen.relation.isbn9783741000058*
oapen.pages106*
oapen.volume1/1*


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Chapters in this book

  • Roger Odin (2015)
    Following the reflection initiated in his book The Spaces of Communication, Roger Odin suggests a new distinction between physical communication spaces and mental communication spaces (spaces that we have inside us). The ...
  • Marie-Therese Mäder (2015)
    The article considers four spaces where media processes involve religious communities and agents: the spaces of production, of representation, of media communication, and of distribution network and institutional framework ...
  • Daria Pezzoli-Olgiati (2015)
    This essay responds to Sigrid Schade’s contribution by outlining the multilayered meaning-making processes deployed by the use of religious symbolism in visual culture. Referring in a concise way to a selected example of ...

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