Apocalypse as critical dystopia in modern popular music : Journal for Religion, Film and Media

dc.contributor.author	Javier Campos Calvo-Sotelo	*
dc.date.accessioned	2021-02-12T10:12:04Z
dc.date.available	2021-02-12T10:12:04Z
dc.date.issued	2019	*
dc.date.submitted	2020-09-03 09:07:26	*
dc.identifier	46983	*
dc.identifier.issn	2414-0201	*
dc.identifier.uri	https://directory.doabooks.org/handle/20.500.12854/63203
dc.description.abstract	The last book of the New Testament has inspired countless narratives and cultural productions. In the realm of popular music the Apocalypse was embraced as synonymous of imminent catastrophe, generating a dystopian discourse. As a tool for analysis, the concept of “critical dystopia” has built a useful bridge between apocalyptic menaces, re-enchantment of the world, and social protest. On the other hand, “authenticity” is a sacred dimension within rock, the antidote of commercialism. This paper has two parts: first a conceptual review of the state of the questions and debate involved; and second, an exposition of selected songs, followed by a summary of their main traits.	*
dc.language	English	*
dc.relation.ispartofseries	Journal for Religion, Film and Media	*
dc.title	Apocalypse as critical dystopia in modern popular music	*
dc.title.alternative	Journal for Religion, Film and Media	*
dc.type	chapter
oapen.identifier.doi	10.25364/05.05:2019.2.2	*
oapen.relation.isPublishedBy	5b80c228-3393-4862-a8e9-6c35a63484f1	*
oapen.relation.isPartOfBook	3d327471-450d-4bce-926a-f106db55e6f3	*
oapen.pages	69-94	*
oapen.volume	5/2	*

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