Realistic Humanism: Luc Dardenne as a Philosopher and Filmmaker : Journal for Religion, Film and Media

dc.contributor.author	Walter Lesch	*
dc.date.accessioned	2021-02-12T10:27:09Z
dc.date.available	2021-02-12T10:27:09Z
dc.date.issued	2016	*
dc.date.submitted	2020-09-03 12:13:16	*
dc.identifier	47049	*
dc.identifier.issn	2414-0201	*
dc.identifier.uri	https://directory.doabooks.org/handle/20.500.12854/63490
dc.description.abstract	Luc Dardenne is not only a successful filmmaker together with his brother Jean-Pierre. He is also a stimulating philosopher who has reflected on the influence of Emmanuel Levinas on the brothers’ cinematic work. This article shows typical constellations of film and philosophy and focuses on the special contribution of a Levinasian perspective on face-to-face encounters, violence and compassion as central topics in the films of the Dardennes. Luc Dardenne has developed his philosophical approach in his diaries and in the essay The Human Affair published in 2012. This text can be used as a key for the understanding of the film The Kid with a Bike from 2011.	*
dc.language	English	*
dc.relation.ispartofseries	Journal for Religion, Film and Media	*
dc.title	Realistic Humanism: Luc Dardenne as a Philosopher and Filmmaker	*
dc.title.alternative	Journal for Religion, Film and Media	*
dc.type	chapter
oapen.relation.isPublishedBy	5b80c228-3393-4862-a8e9-6c35a63484f1	*
oapen.relation.isPartOfBook	f8f3246c-45a0-4678-8051-e8bd40e9094f	*
oapen.pages	33-44	*
oapen.volume	2/2	*

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