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Affektpoetiken des New Hollywood

Suspense, Paranoia und Melancholie

dc.contributor.authorLehmann, Hauke
dc.date.accessioned2021-04-27T02:03:40Z
dc.date.available2021-04-27T02:03:40Z
dc.date.issued2016
dc.date.submitted2021-04-26T14:18:47Z
dc.identifierONIX_20210426_9783110488739_24
dc.identifier2509-4351
dc.identifierhttps://library.oapen.org/handle/20.500.12657/48419
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/68192
dc.description.abstractHow do spectators become emotionally involved in cinema? Starting from this question, the book suggests an original view about a critical period in United States film history. In a detailed analysis of individual films, an image emerges of a complex interplay between three affective modes – suspense, paranoia, and melancholy – which draw the spectators to reflect in unique ways about contradictions in their own feelings.
dc.languageGerman
dc.relation.ispartofseriesCinepoetics
dc.rightsopen access
dc.subject.otherFilm history/ in the USA
dc.subject.otheraffect
dc.subject.othertemporality
dc.subject.otherthema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema
dc.subject.otherthema EDItEUR::A The Arts::AT Performing arts::ATJ Television
dc.subject.otherthema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies
dc.titleAffektpoetiken des New Hollywood
dc.title.alternativeSuspense, Paranoia und Melancholie
dc.typebook
oapen.identifier.doi10.1515/9783110488739
oapen.relation.isPublishedByaf2fbfcc-ee87-43d8-a035-afb9d7eef6a5
oapen.relation.isbn9783110488739
oapen.relation.isbn9783110480115
oapen.relation.isbn9783110488760
oapen.pages374
oapen.place.publicationBerlin/Boston
dc.seriesnumber2
dc.abstractotherlanguageHow do spectators become emotionally involved in cinema? Starting from this question, the book suggests an original view about a critical period in United States film history. In a detailed analysis of individual films, an image emerges of a complex interplay between three affective modes – suspense, paranoia, and melancholy – which draw the spectators to reflect in unique ways about contradictions in their own feelings.


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