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dc.contributor.authorTriplette, Stacey
dc.date.accessioned2021-02-10T12:58:18Z
dc.date.issued2018
dc.date.submitted2021-07-13T09:33:26Z
dc.identifierONIX_20210713_9789048536641_2
dc.identifierhttps://library.oapen.org/handle/20.500.12657/49979
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/71256
dc.description.abstractThe Iberian chivalric romance has long been thought of as an archaic, masculine genre and its popularity as an aberration in European literary history. Chivalry, Reading, and Women’s Culture in Early Modern Spain contests this view, arguing that the surprisingly egalitarian gender politics of Spain’s most famous romance of chivalry has guaranteed it a long afterlife. Amadís de Gaula had a notorious appeal for female audiences, and the early modern authors who borrowed from it varied in their reactions to its large cast of literate female characters. Don Quixote and other works that situate women as readers carry the influence of Amadís forward into the modern novel. When early modern authors read chivalric romance, they also read gender, harnessing the female characters of the source text to a variety of political and aesthetic purposes.
dc.languageEnglish
dc.relation.ispartofseriesGendering the Late Medieval and Early Modern World
dc.rightsopen access
dc.subject.otherchivalry, romance, Don Quixote, Amadís de Gaula, gender, translation
dc.subject.otherthema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
dc.titleChivalry, Reading, and Women's Culture in Early Modern Spain
dc.title.alternativeFrom Amadís de Gaula to Don Quixote
dc.typebook
oapen.relation.isPublishedByde2ecbe7-1037-4e96-8c3a-5a842d921e04
oapen.relation.isFundedByKnowledge Unlatched
oapen.relation.isbn9789048536641
oapen.relation.isbn9789462985490
oapen.collectionKnowledge Unlatched (KU)
oapen.imprintAmsterdam University Press
oapen.pages281
dc.relationisFundedByb818ba9d-2dd9-4fd7-a364-7f305aef7ee9
dc.seriesnumber3


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