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Christian Metz and the Codes of Cinema

Film Semiology and Beyond

dc.contributor.editorTröhler, Margrit
dc.contributor.editorKirsten, Guido
dc.contributor.editorZutavern, Julia
dc.date.accessioned2021-07-14T02:01:38Z
dc.date.available2021-07-14T02:01:38Z
dc.date.issued2018
dc.date.submitted2021-07-13T09:33:28Z
dc.identifierONIX_20210713_9789048527564_3
dc.identifierhttps://library.oapen.org/handle/20.500.12657/49980
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/71280
dc.description.abstractA pioneering figure in film studies, Christian Metz proposed countless new concepts for reflecting on cinema, rooted in his phenomenological structuralism. He also played a key role in establishing film studies as a scholarly discipline, making major contributions to its institutionalisation in universities worldwide. This book brings together a stellar roster of contributors to present a close analysis of Metz's writings, their theoretical and epistemological positions, and their ongoing influence today.
dc.languageEnglish
dc.relation.ispartofseriesFilm Theory in Media History
dc.rightsopen access
dc.subject.otherFilm Semiology, Filmology, History of Film Theory, Phenomenology, Narratology
dc.subject.otherthema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
dc.titleChristian Metz and the Codes of Cinema
dc.title.alternativeFilm Semiology and Beyond
dc.typebook
oapen.relation.isPublishedByde2ecbe7-1037-4e96-8c3a-5a842d921e04
oapen.relation.isbn9789048527564
oapen.relation.isbn9789089648921
oapen.imprintAmsterdam University Press
oapen.pages351


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