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dc.contributor.editorBidmon, Agnes
dc.contributor.editorLubkoll, Christine
dc.date.accessioned2022-01-12T04:04:12Z
dc.date.available2022-01-12T04:04:12Z
dc.date.issued2021
dc.date.submitted2022-01-11T08:52:23Z
dc.identifierONIX_20220111_9783110692990_87
dc.identifierhttps://library.oapen.org/handle/20.500.12657/52323
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/77242
dc.description.abstractHybrid narratives between fact and fiction are all the rage these days. Frequently, they are characterized as “docu-fiction,” though it is unclear which staged references to self and others are actually covered by the concept. The interdisciplinary volume analyses the forms and functions of docu-fictional narration in literature and media and works to define the contours of the term.
dc.languageGerman
dc.rightsopen access
dc.subject.otherNarratology
dc.subject.otherfact
dc.subject.otherfiction
dc.subject.otherthema EDItEUR::D Biography, Literature and Literary studies
dc.subject.otherthema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
dc.subject.otherthema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSA Literary theory
dc.subject.otherthema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
dc.subject.otherthema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCC Cultural studies
dc.titleDokufiktionalität in Literatur und Medien
dc.title.alternativeErzählen an den Schnittstellen von Fakt und Fiktion
dc.typebook
oapen.identifier.doi10.1515/9783110692990
oapen.relation.isPublishedByaf2fbfcc-ee87-43d8-a035-afb9d7eef6a5
oapen.relation.isbn9783110692990
oapen.relation.isbn9783110692983
oapen.relation.isbn9783110693089
oapen.imprintDe Gruyter
oapen.pages347
oapen.place.publicationBerlin/Boston
dc.abstractotherlanguageHybrid narratives between fact and fiction are all the rage these days. Frequently, they are characterized as “docu-fiction,” though it is unclear which staged references to self and others are actually covered by the concept. The interdisciplinary volume analyses the forms and functions of docu-fictional narration in literature and media and works to define the contours of the term.


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