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dc.contributor.authorBusacca, Helle
dc.contributor.editorManfrida, Serena
dc.date.accessioned2022-06-02T04:05:19Z
dc.date.available2022-06-02T04:05:19Z
dc.date.issued2014
dc.date.submitted2022-05-31T10:23:12Z
dc.identifierONIX_20220531_9788866555834_478
dc.identifier2704-6001
dc.identifierhttps://library.oapen.org/handle/20.500.12657/55194
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/82171
dc.description.abstractVulcano, Sicily 1964. After a meeting with him in Cortona, Helle Busacca, a poet and writer from Messina, began drafting an epistolary diary dedicated to Corrado Pavolini, a well-known intellectual and film director of Tuscan origins with whom she had been in love for over twenty years. Through the so far unpublished pages she dedicated to “una storia senza storia” (“a story without history"), the writer brings to life an incandescent theatre of the self, in which the dramatization of personal experience, the self-representative elaboration and the expression of a living and restless inner self combine in a mixture of strongly hybrid characters, which is conveyed by a disruptive communicative force. As the desperately pursued interlocutor becomes increasingly evanescent and unreachable, the voice of a modern tragic heroine emerges unmistakably between claim and confession.
dc.languageItalian
dc.relation.ispartofseriesFonti storiche e letterarie – Edizioni cartacee e digitali
dc.rightsopen access
dc.titleDiario epistolare a Corrado Pavolini
dc.typebook
oapen.identifier.doi10.36253/978-88-6655-583-4
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9788866555834
oapen.relation.isbn9788866555803
oapen.relation.isbn9788866555858
oapen.relation.isbn9788892734401
oapen.pages170
oapen.place.publicationFlorence
dc.seriesnumber38
dc.abstractotherlanguageVulcano, Sicily 1964. After a meeting with him in Cortona, Helle Busacca, a poet and writer from Messina, began drafting an epistolary diary dedicated to Corrado Pavolini, a well-known intellectual and film director of Tuscan origins with whom she had been in love for over twenty years. Through the so far unpublished pages she dedicated to “una storia senza storia” (“a story without history"), the writer brings to life an incandescent theatre of the self, in which the dramatization of personal experience, the self-representative elaboration and the expression of a living and restless inner self combine in a mixture of strongly hybrid characters, which is conveyed by a disruptive communicative force. As the desperately pursued interlocutor becomes increasingly evanescent and unreachable, the voice of a modern tragic heroine emerges unmistakably between claim and confession.


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