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dc.contributor.authorAlcione, Serena
dc.date.accessioned2022-06-02T04:06:39Z
dc.date.available2022-06-02T04:06:39Z
dc.date.issued2014
dc.date.submitted2022-05-31T10:23:21Z
dc.identifierONIX_20220531_9788866555643_484
dc.identifier2420-8361
dc.identifierhttps://library.oapen.org/handle/20.500.12657/55200
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/82247
dc.description.abstractWackenroder's conception of music is strongly influenced by the musical thought of the composer Johann Friedrich Reichardt, who was a romantic music teacher, friend and mentor of Wackenroder, whom he introduced to the 'realm of sounds'. Reichardt was the author of numerous essays on music and of the unique Musikerroman from the Enlightenment period (Leben des berühmten Tonkünstlers Heinrich Wilhelm Gulden nachher genannt Guglielmo Enrico Fiorino, 1779). Wackenroder e Reichardt: musica e letteratura nel primo Romanticismo tedesco (“Wackenroder and Reichardt: music and literature in the first German Romanticism”) compares the literary works of the two authors and investigates the results of their influence. The work retraces the transition from the conception of music during the Enlightenment, linked to the social function of art, to the idea of an 'absolute' music of the Romantic era, determining the artist's problematic existence.
dc.languageItalian
dc.relation.ispartofseriesBiblioteca di Studi di Filologia Moderna
dc.rightsopen access
dc.titleWackenroder e Reichardt
dc.title.alternativeMusica e letteratura nel primo Romanticismo tedesco
dc.typebook
oapen.identifier.doi10.36253/978-88-6655-564-3
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9788866555643
oapen.relation.isbn9788892734319
oapen.pages271
oapen.place.publicationFlorence
dc.seriesnumber20
dc.abstractotherlanguageWackenroder's conception of music is strongly influenced by the musical thought of the composer Johann Friedrich Reichardt, who was a romantic music teacher, friend and mentor of Wackenroder, whom he introduced to the 'realm of sounds'. Reichardt was the author of numerous essays on music and of the unique Musikerroman from the Enlightenment period (Leben des berühmten Tonkünstlers Heinrich Wilhelm Gulden nachher genannt Guglielmo Enrico Fiorino, 1779). Wackenroder e Reichardt: musica e letteratura nel primo Romanticismo tedesco (“Wackenroder and Reichardt: music and literature in the first German Romanticism”) compares the literary works of the two authors and investigates the results of their influence. The work retraces the transition from the conception of music during the Enlightenment, linked to the social function of art, to the idea of an 'absolute' music of the Romantic era, determining the artist's problematic existence.


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