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dc.contributor.authorGuzzo, Eleonora
dc.date.accessioned2022-06-02T04:23:57Z
dc.date.available2022-06-02T04:23:57Z
dc.date.issued2015
dc.date.submitted2022-05-31T10:25:16Z
dc.identifierONIX_20220531_9788864533070_556
dc.identifier2612-8020
dc.identifierhttps://library.oapen.org/handle/20.500.12657/55272
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/83101
dc.description.abstractThe wooden monument in the Panthéon in Paris unfolds its originality in conforming itself as a real small-scale rustic temple. Its formal features recall, on the one hand, the archetypal origin of western architecture, through adherence to the literary topos of the Vitruvian hut, on the other hand the return to simple natural principles preached by Rousseau. The tombeau project is considered both in its prestigious theoretical context and in the historical context of revolutionary France. The analysis of unpublished documents, the elaboration of new surveys and digital photographic studies support the attribution hypotheses, just as they complete the examination of the classic proportions of the work, between rule and revolution.
dc.languageItalian
dc.relation.ispartofseriesPremio Tesi di Dottorato
dc.rightsopen access
dc.titleIl tempio nel tempio
dc.title.alternativeIl monumento ligneo a Rousseau nel Panthéon di Parigi, dalla capanna vitruviana ai Lumi francesi
dc.typebook
oapen.identifier.doi10.36253/978-88-6453-307-0
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9788864533070
oapen.relation.isbn9788864533063
oapen.relation.isbn9788892733091
oapen.pages470
oapen.place.publicationFlorence
dc.seriesnumber52
dc.abstractotherlanguageThe wooden monument in the Panthéon in Paris unfolds its originality in conforming itself as a real small-scale rustic temple. Its formal features recall, on the one hand, the archetypal origin of western architecture, through adherence to the literary topos of the Vitruvian hut, on the other hand the return to simple natural principles preached by Rousseau. The tombeau project is considered both in its prestigious theoretical context and in the historical context of revolutionary France. The analysis of unpublished documents, the elaboration of new surveys and digital photographic studies support the attribution hypotheses, just as they complete the examination of the classic proportions of the work, between rule and revolution.


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