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dc.contributor.authorBartolini, Francesca
dc.date.accessioned2022-06-02T04:24:56Z
dc.date.available2022-06-02T04:24:56Z
dc.date.issued2014
dc.date.submitted2022-05-31T10:22:24Z
dc.identifierONIX_20220531_9788866557029_435
dc.identifier2705-0297
dc.identifierhttps://library.oapen.org/handle/20.500.12657/55151
dc.identifier.urihttps://directory.doabooks.org/handle/20.500.12854/83152
dc.description.abstractAntonio Rinaldi, un intellettuale nella cultura del Novecento (Antonio Rinaldi, an intellectual in twentieth century culture) gives new shape the figure of an artist who is only apparently of secondary importance, starting from the work and documents preserved in a previously unpublished archive. The work traces the fundamental stages of the life and work of the writer focusing on the years of his university education, which are fundamental for the relationships he forged (with Roberto Longhi and Giorgio Morandi, as well as with fellow students Attilio Bertolucci, Giorgio Bassani, Lanfranco Caretti, Francesco and Gaetano Arcangeli and the student Pier Paolo Pasolini). An appendix of unpublished texts proposes the two-part correspondence with his teacher Giuseppe Raimondi and his friend Giuseppe Dessí.
dc.languageItalian
dc.relation.ispartofseriesPremio Ricerca «Città di Firenze»
dc.rightsopen access
dc.titleAntonio Rinaldi. Un intellettuale nella cultura del Novecento
dc.typebook
oapen.identifier.doi10.36253/978-88-6655-702-9
oapen.relation.isPublishedBy2ec4474d-93b1-4cfa-b313-9c6019b51b1a
oapen.relation.isbn9788866557029
oapen.relation.isbn9788866557012
oapen.relation.isbn9788892734067
oapen.pages872
oapen.place.publicationFlorence
dc.seriesnumber34
dc.abstractotherlanguageAntonio Rinaldi, un intellettuale nella cultura del Novecento (Antonio Rinaldi, an intellectual in twentieth century culture) gives new shape the figure of an artist who is only apparently of secondary importance, starting from the work and documents preserved in a previously unpublished archive. The work traces the fundamental stages of the life and work of the writer focusing on the years of his university education, which are fundamental for the relationships he forged (with Roberto Longhi and Giorgio Morandi, as well as with fellow students Attilio Bertolucci, Giorgio Bassani, Lanfranco Caretti, Francesco and Gaetano Arcangeli and the student Pier Paolo Pasolini). An appendix of unpublished texts proposes the two-part correspondence with his teacher Giuseppe Raimondi and his friend Giuseppe Dessí.


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